Persona: Talaván Zanón, Noa
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Talaván Zanón
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Publicación Audio description and subtitling for the deaf and hard of hearing. Media accessibility in foreign language learning.(John Benjamins, 2022-01-31) Talaván Zanón, Noa; Lertola, Jennifer; Ibáñez Moreno, Ana; http://orcid.org/0000-0002-4991-8555This paper presents the teaching innovation project AUDIOSUB, which aimed at assessing the didactic potential of audio description (AD) and subtitling for the deaf and hard of hearing (SDH) in foreign language education. Within an online setting, 25 undergraduates of English Studies in a Spanish university worked collaboratively for two months and a half, in groups of five, so as to provide accessibility to complete short films. To that end, they were provided with a number of ad hoc tutorials and guidelines on technical issues related to AD and SDH, the two media accessibility modes used for this proposal. A pre-experiment was designed for data collection: pre- and post- writing and oral production tests, as well as general translation pre- and post- tests, were administered, and quantitative data were exploited using SPSS; pre-and post- questionnaires and observation were also used to triangulate and complement the analysis. The results show evidence of improvement both in written production and in general translation skills thanks to the pedagogical application of media accessibility and point towards a more systematic exploitation of didactic SDH and AD in the foreign language learning context.Publicación First insights into the combination of dubbing and subtitling as L2 Didactic Tools(Peter Lang, 2015) Talaván Zanón, Noa; Ávila Cabrera, José Javier; Gambier, Ives; Caimi, Annamaria; Mariotti, CristinaThe use of active subtitling as a resource in foreign language education has been gaining increasing interest in the last decade within the studies on Audiovisual Translation (AVT). Such a comprehensive task can be said to enhance integrated communicative activities and skills, mainly reading, listening, writing and speaking. Dubbing as a didactic resource is, nonetheless, an activity that has not received as much attention and its use in class is significantly less spread. This AVT mode explores all the elements of the soundtrack in the form of monologues, dialogue exchanges, and songs, and can enhance the same integrated skills mentioned for subtitling, but from a different perspective. This paper focuses on a quasi-experimental research on the use of the active combination of dubbing and reverse subtitling in order to improve both oral and written production activities, as well as general translation skills. To this end, two groups of students from formal and informal learning contexts have worked collaboratively online in the dubbing and reverse subtitling of four pre-selected clips taken from the same film. Thanks to the answers to oral and written pretests and post-tests, as well as to questionnaires completed by the students before and after the AVT practices, a series of quantitative and qualitative data were obtained and used to assess the potential benefits of this new didactic combination.Publicación Traducción audiovisual y aprendizaje de español como L2: el uso de la audiodescripción en un curso de ELE(Taylor & Francis, 2017) Calduch, Carme; Talaván Zanón, NoaEn el presente estudio abordaremos el papel de la traducción audiovisual (TAV) como herramienta didáctica para la enseñanza-aprendizaje de segundas lenguas y, más concretamente, describiremos las múltiples posibilidades que ofrecen las diferentes modalidades de TAV para el desarrollo de las destrezas lingüísticas. En este marco se encuadra la audiodescripción para ciegos, una modalidad de accesibilidad audiovisual que consiste en la descripción de la información visual para espectadores invidentes, es decir, en traducir imágenes en palabras. Como muestra representativa de la aplicación didáctica de esta modalidad de TAV, ofrecemos ejemplos de tareas de audiodescripción encaminadas a fomentar la riqueza estilística con el desarrollo del vocabulario, la precisión léxica y la madurez sintáctica, y describimos su puesta en práctica y los resultados preliminares obtenidos en un curso de español como lengua extranjera.Publicación A University Handbook on terminology and Specialised Translation(Editorial UNED, 2016) Talaván Zanón, NoaPublicación Audiovisual Reception and MALL: Adapting Technology to Real Needs(Universidad de Granada, 2015-06-24) Talaván Zanón, Noa; Ávila Cabrera, José JavierTeaching listening comprehension has always been a difficult task given the subjectivity that this language skill entails. This may be one of the reasons why traditional foreign language learning methodologies have most often been aimed at its assessment than at its enhancement. Nowadays, we should speak in terms of audiovisual reception skills, given the great amount of audiovisual input we receive regularly and the significant changes brought about by new technological advances. This paper offers a methodological proposal aimed at improving audiovisual reception through the use of video and audiovisual language within well-structured tasks inserted in an innovative mobile applicationPublicación Active audiodescription to promote speaking skills in online environments(Universitat de Lleida, 2015) Talaván Zanón, Noa; Lertola, Jennifer; http://orcid.org/0000-0002-4991-8555Research on the use of audiovisual translation in foreign language education has considerably increased over the last decade. However, it has mainly covered the use of subtitles as a support, and the use of active subtitling and dubbing as a task. This paper introduces the pedagogical use of another AVT mode: active audiodescription —the oral description of visual information for blind and visually impaired people— to enhance speaking skills in distance learning education. The quasi-experimental study, developed in an online setting, involved 30 Spanish students of English for Specific Purposes (level B1). Participants were required to write the audiodescription of two tourist advertisements collaboratively online and then record their voices using the web platform ClipFlair. Reasonably valid conclusions that shed some light on the pedagogical benefits of audiodescription were obtained and they invite further research on the possibilities of revoicing techniques in L2 contexts.Publicación Exploring Collaborative Reverse Subtitling for the enhancement of written production activities in English as a Second Language(Cambridge University Press, 2017-01) Talaván Zanón, Noa; Ibáñez Moreno, Ana; Bárcena Madera, María ElenaThis article explores the effects of collaborative reverse subtitling as an activity for the promotion of writing skills in English as a second language. An initial analysis is undertaken of the pros and cons of the role of translation in second language learning historically and the role of information and communication technology in this process, with special attention being paid to recent initiatives on the didactic use of audiovisual translation in the form of subtitling, and the evidence of their efficacy obtained so far. Subsequently, a completed research project is described, which was aimed at promoting second language learning among distance learning university students through collaborative reverse subtitling. Specifically, the project aimed to explore both the potential of a guided subtitling activity for the development of written production skills, and also the dynamics of undertaking such an activity collaboratively, in order to gain insights on the social, cognitive, metacognitive and transfer mechanisms that can be activated in collective study. Finally, we reflect on the need to accumulate evidence on multimodal translating scenarios combining individual and collective work for the development of communicative language competences, through further research and classroom use, in order to consolidate and refine these findings.Publicación Audiovisual didáctica (Traducción)(Zenodo, 2024-02-05) Talaván Zanón, Noa; Lertola, Jennifer; http://orcid.org/0000-0002-4991-8555La Traducción Audiovisual Didáctica, o TAD, puede definirse como el uso pedagógico por parte del alumnado de las diversas modalidades de Traducción Audiovisual (TAV) —subtitulación, doblaje, audiodescripción (AD), voces superpuestas, etc.— en el aprendizaje de lenguas (es decir, cuando e lalumnado realiza traducciones o transcripciones para subtitulación, doblaje, etc.) como núcleo de un plan de clase o secuencia didáctica, o como tarea en sí misma. Las modalidades de TAD que se describirán en esta entrada son las que se han utilizado e investigado en mayor medida: subtitulación didáctica (SD), subtitulación para personas sordas didáctica (SpS didáctica), doblaje didáctico (DD), voces superpuestas didácticas (VSD) audiodescripción didáctica (ADD), y comentario libre didáctico (CLD). Se pueden utilizar por separado o combinadas en secuencias de varios planes de clase o tareas organizadas (y con un andamiaje apropiado, siempre que sea posible) de acuerdo con las necesidades del alumnado, nivel de competencia y grado de conocimiento de TAD. Aunque la TAD ha estado tradicionalmente vinculada al aprendizaje de lenguas extranjeras, su potencial pedagógico puede aplicarse al aprendizaje de lenguas en general (e incluso a la didáctica de la traducción), ya que los beneficios de aprendizaje pueden apreciarse independientemente de la tipología de la lengua que se esté aprendiendo (L1, L2, L3, etc.). La TAD ha demostrado ser efectiva en varios estadios educativos, desde etapas tempranas(Educación Primaria) hasta niveles universitarios. Se han observado mejoras lingüísticas en varios sentidos, como en la adquisición de vocabulario, el fomento de la conciencia intercultural, la mejora de la recepción oral, así como la producción oral y escrita, o en el desarrollo de la creatividad y las destrezas integradas (Lertola2019). Además, el uso de la TAD también puede ayudar a cumplirotros objetivos educativos que van más allá de los objetivos lingüísticos, como incentivar la participación y motivación de los estudiantes, la activación de conocimientos previos, el translaguaging(es decir, el cambio de la L1 a la L2 y viceversa), el desarrollo de competencias digitales o la mejora de las habilidades de pensamiento superior e inferior, entre otros (Talaván,Lertola & Fernández-Costales2024 ).Publicación Audiovisual translation in applied linguistics: Educational perspectives(John Benjamins, 2018) Incalcaterra McLoughlin, Laura; Lertola, Jennifer; Talaván Zanón, Noa; http://orcid.org/0000-0003-4195-0734; orcid.org/0000-0002-4991-8555Publicación Intralingual audiovisual translation as a foreign language aid: a methodological proposal for application at different levels(Routledge, 2024) Talaván Zanón, Noa; Fernández Costales, Alberto; Pilliere, Linda; Berk Albachten, Özlem; https://orcid.org/0000-0002-5120-8181Didactic audiovisual translation (AVT) has been increasingly studied over the last two decades. From the use of subtitles as a support, soon the application of subtitling as a real task undertaken by students became a reality. From there, the use of didactic dubbing spread as well (both in practice and in research), and more recently, other less familiar AVT modes, such as audio description (AD), subtitles for the deaf and hard of hearing (SDH) or voice-over, have also started to be used in the language learning setting. Likewise, other trends, such as creative didactic AVT, have come to the fore due to the impact they may have on students’ motivation towards language learning. The investigation of active subtitling and dubbing in formal contexts has delivered promising results concerning students’ engagement, improved translation skills, and the promotion of oral and written comprehension and production. Moreover, the application of AVT as a didactic resource in bilingual education has also rendered promising outcomes. All didactic AVT modes can be applied either through interlingual or intralingual translation. This chapter will focus on the pedagogical possibilities of the latter, the intralingual combination, applied to each didactic AVT mode. The potential benefits of every AVT task will be described, reporting on empirical evidence from studies in the field, and a series of methodological guidelines for using the different AVT modes as didactic resources through intralingual translation will be provided. In particular, we will offer proposals regarding the preparation of lesson plans, the selection of video clips, the use of ICTs, timing issues, task design, and evaluation. The main aim of this chapter is to offer a panorama on the didactic possibilities of intralingual didactic AVT and provide practical and hands-on examples of activities that work in several educational stages. To date, the investigation of AVT in foreign language learning has primarily focused on university students, with few projects devoted to secondary education and virtually none investigating the application of subtitling and dubbing in primary education. By reporting on activities and methodological proposals that have been tested in several educational stages, we will present a more comprehensive and rigorous view on the use of intralingual didactic AVT, describing its benefits and potential drawbacks in the foreign language learning context.