Publication: Ethics, Aesthetics and History in Dionysius of Halicarnassus: Imitation and Construction of Tradition
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Date
2018-05-14
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info:eu-repo/semantics/openAccess
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Universidad Complutense de Madrid
Abstract
La obra de Dionisio de Halicarnaso se ha dividido tradicionalmente en dos partes: por un lado, los tratados de retórica y, por otro, las Antigüedades romanas, narración de la historia de Roma desde sus orígenes hasta la Primera Guerra Púnica. No obstante, existe un elemento común entre los escritos retóricos y los históricos que da coherencia interna a toda la obra. Este elemento es la imitación, que Dionisio utiliza para vincular ética y estética al servicio de la construcción de la tradición del pueblo romano.
The work of Dionysius of Halicarnassus has been traditionally divided into two parts: first, treaties of rhetoric and, secondly, Roman Antiquities, the history of Rome from its origins to the First Punic War. However, there is a common element among the rhetorical and historical writings that gives internal coherence to the whole work. This element is imitation, which Dionysius used to link ethics and aesthetics at the service of building the tradition of the Roman people.
The work of Dionysius of Halicarnassus has been traditionally divided into two parts: first, treaties of rhetoric and, secondly, Roman Antiquities, the history of Rome from its origins to the First Punic War. However, there is a common element among the rhetorical and historical writings that gives internal coherence to the whole work. This element is imitation, which Dionysius used to link ethics and aesthetics at the service of building the tradition of the Roman people.
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estética, ética, imitación, historia, tradición, aesthetics, ethics, imitation, history, tradition
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Facultad de Filosofía
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Filosofía