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Pulling the Strings: Othello, puppet and object theatre.

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dc.contributor.authorGuerrero Llorente, Isabel
dc.contributor.editorBandín Fuertes, Elena
dc.contributor.editorRayner, Francesca
dc.contributor.editorCampillo Arnaiz, Laura
dc.coverage.spatialAmsterdam
dc.date.accessioned2024-12-16T12:53:27Z
dc.date.available2024-12-16T12:53:27Z
dc.date.issued2022-05-25
dc.descriptionThis is a Submitted Manuscript of part of book published by John Benjamins Publishing Company in Othello in European Culture, Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz, available at: https://doi.org/10.1075/sec.3.10gue Este es el manuscrito enviado del capítulo de un libro publicado por John Benjamins Publishing Company en Othello in European Culture, Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz, disponible en línea: https://doi.org/10.1075/sec.3.10gue
dc.description.abstractOthello is a particularly attractive play to examine the connection between Shakespeare and puppets, as Othello is metaphorically manipulated by Iago, who is the one pulling the strings. This chapter turns the metaphor into reality with the study of the connection between Othello and puppet theatre. To do so, the chapter focuses on three productions: Che cosa sono le nuvole (1968), a short film by Pier Paolo Pasolini, O-telo (2011)¸ by the theatre company Viajeinmóvil, and the performance of Othello in the series Complete Works: Table Top Shakespeare (2015), by Forced Entertainment. These productions engage with different European puppet traditions and offer new insights into the play that have contributed to the dissemination of Shakespeare’s Othello throughout the twentieth and twenty-first centuries.en
dc.identifier.citationGuerrero Llorente, Isabel; Pulling the Strings: Othello, puppet and object theatre. En Othello in European Culture Edited by Elena Bandín Fuertes, Francesca Rayner and Laura Campillo Arnaiz [Shakespeare in European Culture 3] - John Benjamins Publishing Company: Amsterdam, 2022, pp. 191–204
dc.identifier.doihttps://doi.org/10.1075/sec.3.10gue
dc.identifier.isbn9789027257826
dc.identifier.urihttps://hdl.handle.net/20.500.14468/24917
dc.language.isoen
dc.page.final204
dc.page.initial191
dc.publisherJohn Benjamins Publishing Company
dc.relation.centerFacultades y escuelas::Facultad de Filología
dc.relation.departmentFilologías Extranjeras y sus Lingüísticas
dc.relation.ispartofOthello in European Culture
dc.rightsinfo:eu-repo/semantics/restrictedAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subject62 Ciencias de las Artes y las Letras::6202 Teoría, análisis y crítica literarias
dc.subject.keywordsOthelloen
dc.subject.keywordsWilliam Shakespeareen
dc.subject.keywordspuppetryen
dc.subject.keywordsobject theatreen
dc.subject.keywordsadaptationen
dc.subject.keywordsPier Paolo Pasolinien
dc.subject.keywordsViajeinmóvilen
dc.subject.keywordsForced Entertainmenten
dc.titlePulling the Strings: Othello, puppet and object theatre.es
dc.typecapítulo de libroes
dc.typebook parten
dspace.entity.typePublication
relation.isAuthorOfPublicationc3b9238e-841b-4be4-b5da-6ba5859c4fab
relation.isAuthorOfPublication.latestForDiscoveryc3b9238e-841b-4be4-b5da-6ba5859c4fab
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