Publicación: A propósito de «After Life»: Una reflexión filosófica sobre la noción de experiencia moral del duelo
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2022-04-20
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info:eu-repo/semantics/openAccess
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Universidad Nacional de Córdoba
Resumen
Han sido diversas las concepciones filosóficas sobre la conformación de la moralidad humana y el lugar que la experiencia tiene en la misma. La filosofía moral moderna, a diferencia de la antigua, ha tendido a desplazar el foco de la moralidad hacia concepciones desligadas de la experiencia subjetiva. Sin duda esto genera múltiples problemas filosóficos, alguno de los cuales serán explorados en este trabajo. En el mismo, y a propósito de la serie After Life, se incide en tópicos como el anclaje de la moralidad en la experiencia, en especial la experiencia del duelo que transita su personaje central. No se sugiere que el duelo será la experiencia clave en la conformación de moralidad, pero a propósito de su análisis podemos comprender nuevos modos de insertar la moralidad en sus bases emocionales y vinculares, así como las tensiones entre el saber moral (teoría) y las prácticas de moralidad, considerando las implicaciones epistémicas, antropológicas y éticas involucradas. Se considera aquí problemática la noción moderna de subjetividad moral. Frente a un sujeto desgajado de la otredad, el duelo permite, como se aprecia en la narración fílmica, comprender el tránsito de una situación de déficit moral (egocentrismo, desgajamiento de las necesidades y vínculo con el otro, etc.) a una de moralidad plena. En el camino interpretativo se apela a la visión fenomenológica de la presencia del rostro ajeno en la conformación de la moralidad, así como la consideración que el bien ha de tener en la construcción de la misma.
There are diverse philosophical conceptions about the conformation of human morality, regarding the place that experience and theoretical knowledge have in it. Modern moral philosophy, unlike the old one, has tended to shift the focus of morality towards conceptions detached from subjective experience. Undoubtedly, this generates multiple philosophical problems, some of which will be explored in this work. In it, with regard to the After Life series, topics such as the anchoring of morality in the experience are emphasized, especially the experience of the duel that its central character goes through. It is not suggested that mourning will be the key experience in shaping morality, but with regard to its analysis we can understand new ways of inserting morality into its emotional and relational bases, as well as the tensions between moral knowledge (theory) and morality practices, considering the epistemic, anthropological and ethical implications involved. The modern notion of moral subjectivity is considered problematic here. Faced with a subject detached from otherness, mourning allows, as can be seen in the filmic narrative, to understand the transition from a situation of moral deficit (self-centeredness, detachment from needs and bond with the other, etc.) to one of full morality. In the interpretive path, the phenomenological vision of the presence of face of the other in the conformation of morality is appealed, as well as the consideration that the good must have in the construction of it.
There are diverse philosophical conceptions about the conformation of human morality, regarding the place that experience and theoretical knowledge have in it. Modern moral philosophy, unlike the old one, has tended to shift the focus of morality towards conceptions detached from subjective experience. Undoubtedly, this generates multiple philosophical problems, some of which will be explored in this work. In it, with regard to the After Life series, topics such as the anchoring of morality in the experience are emphasized, especially the experience of the duel that its central character goes through. It is not suggested that mourning will be the key experience in shaping morality, but with regard to its analysis we can understand new ways of inserting morality into its emotional and relational bases, as well as the tensions between moral knowledge (theory) and morality practices, considering the epistemic, anthropological and ethical implications involved. The modern notion of moral subjectivity is considered problematic here. Faced with a subject detached from otherness, mourning allows, as can be seen in the filmic narrative, to understand the transition from a situation of moral deficit (self-centeredness, detachment from needs and bond with the other, etc.) to one of full morality. In the interpretive path, the phenomenological vision of the presence of face of the other in the conformation of morality is appealed, as well as the consideration that the good must have in the construction of it.
Descripción
The registered version of this article, first published in Ética y Cine Journal, is available online at the publisher's website: Universidad Nacional de Córdoba, https://doi.org/10.31056/2250.5415.v12.n1.37379
La versión registrada de este artículo, publicado por primera vez en Ética y Cine Journal, está disponible en línea en el sitio web del editor: Universidad Nacional de Córdoba, https://doi.org/10.31056/2250.5415.v12.n1.37379
La versión registrada de este artículo, publicado por primera vez en Ética y Cine Journal, está disponible en línea en el sitio web del editor: Universidad Nacional de Córdoba, https://doi.org/10.31056/2250.5415.v12.n1.37379
Categorías UNESCO
Palabras clave
teoría ética, experiencia moral, bien moral, vincularidad, duelo, ethical theory, moral experience, moral good, linkness, mourning
Citación
Lariguet, G., & Rodríguez Alba, J. (2022). A propósito de «After Life»: Una reflexión filosófica sobre la noción de experiencia moral del duelo. Ética y Cine Journal, 12(1), 31-45. https://doi.org/10.31056/2250.5415.V12.N1.37379
Centro
Facultades y escuelas::Facultad de Filosofía
Departamento
Filosofía y Filosofía Moral y Política