Publicación: The Will to Art in Nietzsche: A Proposal for an Aesthetics of Affections
Fecha
2023
Autores
Editor/a
Director/a
Tutor/a
Coordinador/a
Prologuista
Revisor/a
Ilustrador/a
Derechos de acceso
info:eu-repo/semantics/openAccess
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad de Málaga
Resumen
Este texto plantea una lectura del pensamiento estético del joven Nietzsche a través de la estética de las pasiones y las repercusiones en su teoría de la voluntad de poder. Se analiza el desarrollo intelectual desde El nacimiento de la tragedia hasta su conversión psicofisiológica del arte en la etapa de madurez, a la vez que se estudia la repercusión de esta evolución en su planteamiento desde la psicología de los afectos. De esta forma, aunque es cierto que el transcurso intelectual de Nietzsche cambia en el momento que abandona la metafísica del artista, continúa ahondando en una propuesta estética desde las tendencias afectivas de la psicología y el cuerpo.
This paper proposes a reading of the aesthetic thought of the young Nietzsche through the aesthetics of the passions and the repercussions on his theory of the will to power. It analyses his intellectual development from The Birth of Tragedy to his psychophysiological conversion of art in his mature stage, while at the same time studying the repercussions of this evolution on his approach from the psychology of the affections. In this way, although it is true that Nietzsche’s intellectual course changes now, he abandons the metaphysics of the artist, he continues to delve into an aesthetic proposal from the affective tendencies of psychology and the body.
This paper proposes a reading of the aesthetic thought of the young Nietzsche through the aesthetics of the passions and the repercussions on his theory of the will to power. It analyses his intellectual development from The Birth of Tragedy to his psychophysiological conversion of art in his mature stage, while at the same time studying the repercussions of this evolution on his approach from the psychology of the affections. In this way, although it is true that Nietzsche’s intellectual course changes now, he abandons the metaphysics of the artist, he continues to delve into an aesthetic proposal from the affective tendencies of psychology and the body.
Descripción
Categorías UNESCO
Palabras clave
Nietzsche, voluntad de poder, estética de las pasiones, Psicología de los afectos, voluntad de arte, will to power, aesthetics of the passions, Psychology of the affections, will to art
Citación
Centro
Facultad de Geografía e Historia
Departamento
Historia del Arte