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Fecha
2025-09-19
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info:eu-repo/semantics/openAccess
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Australian Rock Art Research Association
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Resumen
The study we carried out in the Atlanterra Cave (Cadiz, Spain) has allowed us to analyse its graphic repertoire’s typologies, styles, techniques, and subjects and establish parallels with other cave sites related to and unrelated to its surrounding area. This was achieved through the use of Adobe Photoshop and the plugin DStretch, two digital tools that have been the key to overcoming issues such as the fading of motifs, darkening or irregularities on the rock surface, and superimpositions and infrapositions. Based on these analyses, we have identified three phases: Palaeolithic, early post-Palaeolithic, and post-Palaeolithic of typical schematic art.
Descripción
The registered version of this article, first published in Rock Art Research, 42(2), 213-233, is available online at the publisher's website: https://doi.org/10.69978/m70h0927
La versión registrada de este artículo, publicado por primera vez en Rock Art Research, 42(2), 213-233, está disponible en línea en el sitio web del editor: https://doi.org/10.69978/m70h0927
La versión registrada de este artículo, publicado por primera vez en Rock Art Research, 42(2), 213-233, está disponible en línea en el sitio web del editor: https://doi.org/10.69978/m70h0927
Categorías UNESCO
Palabras clave
Palaeolithic, Neolithic, Palaeoart, Rock painting, Chronology, Spain
Citación
Hugo de Lara López; Martí Mas Cornellá; Mónica Solís Delgado. Chronocultural proposal for the Atlanterra Cave (Cadiz, Spain). Rock Art Research, 42(2), 213-233. https://doi.org/10.69978/m70h0927
Centro
Facultad de Geografía e Historia
Departamento
Prehistoria y Arqueología