Publicación: Activism and registration, documentary and fiction, politics and aesthetics: Begoña Zubero's work in the context of contemporary photography
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2020-07-11
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info:eu-repo/semantics/openAccess
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Universidad de Cuenca (Ecuador)
Resumen
Por medio de la contextualización y explicación de algunos proyectos realizados por la fotógrafa Begoña Zubero se profundiza en su obra, sus intereses y metodología recorriendo los intersticios en los que se desarrolla: entre el activismo y el registro, entre el documental y la ficción, entre la política y la estética. Se estudian y contextualizarán algunos de sus proyectos con movimientos, planes y artistas tan interesantes como: New Topographics, Escuela de Dusseldorf, Scuola italiana di paesaggio, Mission Photographique de la DATAR, Bernd and Hilla Becher, Luigi Ghirri, Gabriele Basilico o Paolo Pellegrin. Las estrategias y objetivos que comparte con ellos en su acercamiento a la arquitectura y al paisaje como depositarios de la identidad y la memoria, así como la belleza formal de sus obras la convierten en una clásica contemporánea a tener en cuenta en el panorama actual del arte internacional.
Through the contextualization and explanation of some projects carried out by the photographer Begoña Zubero, it will be deepening in her work, her interests and methodology, passing through the interstices in which it ́s developed: between activism and registration, between documentary and fiction, between politics and aesthetics. To do this, some of their projects will be studied and contextualized with such interesting movements, plans and artists as: New Topographics, Düsseldorf School, Scuola italiana di paesaggio, DATAR Mission Photographique, Bernd and Hilla Becher, Luigi Ghirri, Gabriele Basilico or Paolo Pellegrin. The strategies and objectives that she shares with them in her approach to architecture and landscape as repositories of identity and memory, as well as the formal beauty of her works, make her a contemporary classic to be considered in the current panorama of international art.
Through the contextualization and explanation of some projects carried out by the photographer Begoña Zubero, it will be deepening in her work, her interests and methodology, passing through the interstices in which it ́s developed: between activism and registration, between documentary and fiction, between politics and aesthetics. To do this, some of their projects will be studied and contextualized with such interesting movements, plans and artists as: New Topographics, Düsseldorf School, Scuola italiana di paesaggio, DATAR Mission Photographique, Bernd and Hilla Becher, Luigi Ghirri, Gabriele Basilico or Paolo Pellegrin. The strategies and objectives that she shares with them in her approach to architecture and landscape as repositories of identity and memory, as well as the formal beauty of her works, make her a contemporary classic to be considered in the current panorama of international art.
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Begoña Zubero, fotografía, paisaje, arquitectura, memoria, photography, landscape, architecture, memory
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Centro
Facultad de Geografía e Historia
Departamento
Historia del Arte