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The Villanelle: Metatextuality, Intertextuality and Intermediality

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dc.contributor.authorRyan, Catherine Ann
dc.contributor.directorGibert Maceda, María Teresa
dc.date.accessioned2024-05-21T14:20:37Z
dc.date.available2024-05-21T14:20:37Z
dc.date.issued2021-07-07
dc.description.abstractIn 2018, the BBC aired a series called Killing Eve, in which the main character is a hired assassin whose codename is Villanelle. The series went on to win multiple awards, and received rave reviews, among them that of the New Yorker critic Jia Tolentino, who pointed out that the villanelle was a type of poetry. The objective of this paper is to examine the villanelle fixed-form poem and follow its evolution from the point when it entered English poetry in the late 19th century until the present, asking whether the villanelle reflects the changes that poetry itself has undergone during this nearly 140-year period. It also aims to deconstruct the poem’s metatextuality, intertextuality and intermediality by examining key villanelles, in an attempt to give an overview of how this short poem encapsulates and reflects many theories which are current in modern literary studies.en
dc.description.versionversión final
dc.identifier.urihttps://hdl.handle.net/20.500.14468/21739
dc.language.isoen
dc.publisherUniversidad Nacional de Educación a Distancia (España). Facultad de Filología
dc.relation.centerFacultades y escuelas::Facultad de Filología
dc.relation.degreeMáster universitario en Estudios Literarios y Culturales Ingleses y su Proyección Social
dc.relation.departmentNo procede
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.titleThe Villanelle: Metatextuality, Intertextuality and Intermedialityes
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dc.typemaster thesisen
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