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Prehistoric Fine-Line Rock Engravings in Tamanart (Morocco): Tachokalt and Anou L’haj

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dc.contributor.authorMas Cornellá, Martí
dc.contributor.authorLemjidi, Abdelkhalek
dc.contributor.authorMaura, Rafael
dc.contributor.authorSolís Delgado, Mónica
dc.contributor.authorOumouss, Ahmed
dc.contributor.authorTorra, Guadalupe
dc.contributor.authorBernáldez, Eloísa
dc.contributor.authorGarcía Viñas, Esteban
dc.contributor.authorAsmahri, El Mahfoud
dc.contributor.authorPérez, Javier
dc.contributor.authorPérez, Pedro Pablo
dc.contributor.authorGonzález, Begoña
dc.date.accessioned2024-11-13T17:37:20Z
dc.date.available2024-11-13T17:37:20Z
dc.date.issued2021-05-17
dc.descriptionThe registered version of this article, first published in Hespéris-Tamuda, is available online at the publisher's website: Universidad Mohamed V
dc.descriptionLa versión registrada de este artículo, publicado por primera vez en Hespéris-Tamuda, está disponible en línea en el sitio web del editor: Universidad Mohamed V
dc.description.abstractIn this article we isolate and analyse different graphic expressions executed with incised fine and very fine lines (stone blocks or vertical walls) in the Tamanart valley (South Morocco) which are located in two of its prehistoric art sites: Tachokalt and Anou L’haj. These present extremely patinated motifs, some zoomorphous figures whose species can not be identified, and some other ones depicting gazelles, aurochs, antelopes, ostriches and sinuous shapes (meanders) that have nothing to do with the rest of depictions registered in the area of our study (Tamanart valley) and which, at the same time, present a certain techno-stylistic and conceptual uniformity according to their conventionality and iconographic structures. From the graphic sequence that we propose for this area, which is in turn based on thematic, typological, technical and stylistic parameters, and also taking into account other aspects such as taphonomic processes, superpositions or spatial distribution, we consider these motifs to be the oldest of the series and we point out graphic parallelisms with the prehistoric art of the Iberian Peninsula, contemplating both the possibility of contacts between the south of Europe and the north of Africa as well as the achievement of similar results independently on both sides of the Strait of Gibraltar.en
dc.description.versionversión publicada
dc.identifier.citationMas Cornellá, Martí, Abdelkhalek Lemjidi, Rafael Maura Mijares, Mónica Solís Delgado, Ahmed Oumouss, Guadalupe Torra Colell, Eloísa Bernáldez Sánchez, et al. «Prehistoric Fine-Line Rock Engravings in Tamanart (Morocco): Tachokalt and Anou L’haj». Hesperis Tamuda 56 (2021): 235-71.
dc.identifier.issn0018-1005
dc.identifier.urihttps://hdl.handle.net/20.500.14468/24374
dc.journal.issue1
dc.journal.titleHespéris-Tamuda
dc.journal.volume56
dc.language.isoen
dc.page.final271
dc.page.initial235
dc.publisherUniversidad Mohamed V
dc.relation.centerFacultades y escuelas::Facultad de Geografía e Historia
dc.relation.departmentPrehistoria y Arqueología
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.es
dc.subject55 Historia::5504 Historia por épocas::5504.05 Prehistoria
dc.subject55 Historia::5505 Ciencias auxiliares de la historia::5505.01 Arqueología
dc.subject.keywordsrock arten
dc.subject.keywordsPrehistoric engravingsen
dc.subject.keywordsfine-lineen
dc.subject.keywordsTamanarten
dc.subject.keywordsMoroccoen
dc.titlePrehistoric Fine-Line Rock Engravings in Tamanart (Morocco): Tachokalt and Anou L’hajen
dc.typeartículoes
dc.typejournal articleen
dspace.entity.typePublication
relation.isAuthorOfPublicationfbc793ad-b89d-4c0a-80b2-910fbc67a8b6
relation.isAuthorOfPublication11bad31e-b12d-440d-8af9-32f9ad37d7c5
relation.isAuthorOfPublication.latestForDiscoveryfbc793ad-b89d-4c0a-80b2-910fbc67a8b6
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