Publicación: L’incenzo dei Coglioni. La sátira de Vieira Lusitano y el honor de la Accademia di San Luca
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2022
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info:eu-repo/semantics/restrictedAccess
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Carocci editore
Resumen
This article deals for the first time with a satirical print by Vieira Lusitano that derides in many ways his colleague the Spanish sculptor Felipe de Castro. The Portuguese seeks for the approval of his fellow artists at the Accademia di San Luca by using a vocative inscription. The print is a clear example of ‘gusto romano’ and presents colourful Latin inscriptions and also contemporary Italian satirical quotations. This study aims to shed some light not only on Vieira’s cultural models, but also on his until now unknown relationship with the mundane life of Rome.
Descripción
The registered version of this article, first published in “Ricerche di Storia dell’ Arte, 136", is available online at the publisher's website: Carocci editore, https://doi.org/10.7374/103645
La versión registrada de este artículo, publicado por primera vez en “Ricerche di Storia dell’Arte, 136", está disponible en línea en el sitio web del editor: Carocci editore, https://doi.org/10.7374/103645
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Citación
"L’incenzo dei Coglioni. La sátira de Vieira Lusitano y el honor de la Accademia di San Luca”, Ricerche di Storia dell’Arte, 136, 2022, 95-103, ISSN 0392-7202, 2036-4563. https://doi.org/10.7374/103645
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Facultades y escuelas
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Historia del Arte