Publicación: The modern reception of ancient tragedy: women’s in contexts of war and violence
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2021-03-24
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info:eu-repo/semantics/openAccess
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Departament de Filologia Clàssica - Universitat de València
Resumen
Desde la aparición de ediciones de textos dramáticos griegos a principios del siglo XVI se han producido millares de traducciones, versiones y adaptaciones diferentes en las que cada generación de estudiosos y dramaturgos nacidos en diversos lugares del mundo ha ido creando acontecimientos únicos alejados de una posible estandarización. Poniendo el énfasis en el valor del teatro en la Grecia clásica, en particular dentro del contexto del surgimiento y de la crisis de la democracia ateniense, y comparándolo con su valor en la actualidad, un entorno caracterizado por rápidas transformaciones sociales, económicas, políticas y estéticas, intentaremos establecer algunos parámetros que subyacen en la disposición general de los autores y/o directores hacia el papel de la mujer dentro de un contexto concreto, el contexto bélico.
Since the first editions of Greek dramatic texts of the early 16th century, there have been thousands of translations, versions, and diverse adaptations in which each generation of scholars and playwrights from all over the world has taken part in unique events —far from any possible categorisation. By laying stress on the value of drama in classical Greece, particularly within the context of the rise and crisis of Athenian democracy, and by comparing it with its role in our current society, which is characterized by rapid social, economic, political and aesthetic transformations, this article seeks to establish some parameters to account for the general willingness, on the part of authors and/or directors, to explore women’s roles within a specific context —that of war.
Since the first editions of Greek dramatic texts of the early 16th century, there have been thousands of translations, versions, and diverse adaptations in which each generation of scholars and playwrights from all over the world has taken part in unique events —far from any possible categorisation. By laying stress on the value of drama in classical Greece, particularly within the context of the rise and crisis of Athenian democracy, and by comparing it with its role in our current society, which is characterized by rapid social, economic, political and aesthetic transformations, this article seeks to establish some parameters to account for the general willingness, on the part of authors and/or directors, to explore women’s roles within a specific context —that of war.
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Palabras clave
Teatro, Tragedia griega, Recepción clásica, Violencia, Mujer, Theatre, Greek tragedy, Classical reception, Violence, Women
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Centro
Facultad de Filología
Departamento
Filología Clásica