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Touching Female Memories in the Purification Funerary Chapel in Burgos (c. 1482-1531)

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dc.contributor.authorPaulino Montero, Elena
dc.date.accessioned2025-01-13T11:18:57Z
dc.date.available2025-01-13T11:18:57Z
dc.date.issued2024-06-18
dc.descriptionThe registered version of this article, first published in “Nuncius, 39(2), 275-304", is available online at the publisher's website: Brill Academic Publishers, https://doi.org/10.1163/18253911-bja10104
dc.descriptionLa versión registrada de este artículo, publicado por primera vez en “Nuncius, 39(2), 275-304", está disponible en línea en el sitio web del editor: Brill Academic Publishers, https://doi.org/10.1163/18253911-bja10104
dc.description.abstractLate medieval women were able to promote highly sophisticated funerary ensembles, which included architecture, painting, sculpture, liturgy, textiles, lighting and other ephemeral elements, and to adapt them to their specific ideas and needs. These material and ephemeral elements were manipulated to create complex spaces so as to generate sensory experience. This article will focus on the Purification Chapel in the Cathedral of Burgos (Spain) built by the Countess of Haro, Mencía de Mendoza, at the end of the fifteenth century. We will use art historical analysis to understand the relation between gender and the senses, and the ways in which intersensorial interaction shapes experience and memory. The analysis of the construction and design of spaces by actors like Mencía de Mendoza shows that robust models of perception and cognition were tacitly operating in the medieval era in ways that are not adequately captured by textually-focused approaches.en
dc.description.versionversión publicada
dc.identifier.citationMontero, E. P. (2024). Touching Female Memories in the Purification Funerary Chapel in Burgos (c. 1482-1531). Nuncius, 39(2), 275-304. https://doi.org/10.1163/18253911-BJA10104
dc.identifier.doihttps://doi.org/10.1163/18253911-bja10104
dc.identifier.issn0394-7394 | eISSN 1825-3911
dc.identifier.urihttps://hdl.handle.net/20.500.14468/25219
dc.journal.issue2
dc.journal.titleNuncius
dc.journal.volume39
dc.language.isoen
dc.page.final304
dc.page.initial275
dc.publisherBrill Academic Publishers
dc.relation.centerFacultades y escuelas::Facultad de Geografía e Historia
dc.relation.departmentHistoria del Arte
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.es
dc.subject55 Historia::5506 Historia por especialidades::5506.02 Historia del arte
dc.subject.keywordsmedieval architectureen
dc.subject.keywordsgenderen
dc.subject.keywordsintersensorialityen
dc.titleTouching Female Memories in the Purification Funerary Chapel in Burgos (c. 1482-1531)en
dc.typeartículoes
dc.typejournal articleen
dspace.entity.typePublication
relation.isAuthorOfPublication42021b6d-e3c5-42b9-9914-f0c05d6a7089
relation.isAuthorOfPublication.latestForDiscovery42021b6d-e3c5-42b9-9914-f0c05d6a7089
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