Publicación: La historia de amor y desesperanza de Colin Clout a través de los modelos clásicos: la influencia de los temas de la bucólica clásica en la composición de The Shepheardes Calender de Edmund Spenser
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2023
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Universidad Nacional de Educación a Distancia (España). Facultad de Filología. Departamento de Filologías Extranjeras y sus Lingüísticas
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La primera obra de Edmund Spenser, The Shepheardes Calendar, posee una gran variedad de influencias. De la bucólica clásica, Spenser toma a autores como Teócrito y Virgilio como modelo para la composición de sus églogas pastoriles. En su reescritura de estas fuentes, Spenser aporta grandes innovaciones al género y parece tratar de conjugar una base clásica con una nueva visión, más sentimental y amplia, del mundo, del amor, la naturaleza y el sufrimiento amoroso. Este último, el dolor ante el rechazo de la persona amada, nos es de interés en nuestro estudio, pues supone el hilo conductor entre los meses del año y con él se explora no solo la figura del poeta como autor sino también del artista como persona. Procedemos a un análisis temático de sus églogas en el que tomamos lo clásico como referente y del que obtendremos una visión más clara de hasta qué punto llega esta influencia y de cómo Spenser revierte y moldea esta tradición clásica en su proceso de creación poética.
Spenser’s first work, The Shepheardes Calender, is constructed upon many influences. Classical pastoral offers authors such as Theocritus and Vergil to emulate in his composition process. Such a rewriting of classical models has, nevertheless, also great innovations. Spenser seems to have used these sources, which he knew well, while also innovating. Thus, working from what had already been written, he offers a new and broader, more sentimental, vision of the world, of emotions, love, nature, and heartbrokenness. This pain that he exhibits serves as a nexus between the months of the year by exploring the poet as a creator but also the artist as an individual. Therefore, we will analyse the topics of some of his eclogues and the way in which they stem from the classical pastoral tradition. By doing so, we will achieve a greater comprehension of the extent of classical influences in The Shepheardes Calendar and of the way in which he reverts this tradition in his attempt to create something new.
Spenser’s first work, The Shepheardes Calender, is constructed upon many influences. Classical pastoral offers authors such as Theocritus and Vergil to emulate in his composition process. Such a rewriting of classical models has, nevertheless, also great innovations. Spenser seems to have used these sources, which he knew well, while also innovating. Thus, working from what had already been written, he offers a new and broader, more sentimental, vision of the world, of emotions, love, nature, and heartbrokenness. This pain that he exhibits serves as a nexus between the months of the year by exploring the poet as a creator but also the artist as an individual. Therefore, we will analyse the topics of some of his eclogues and the way in which they stem from the classical pastoral tradition. By doing so, we will achieve a greater comprehension of the extent of classical influences in The Shepheardes Calendar and of the way in which he reverts this tradition in his attempt to create something new.
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poesía bucólica, Edmund Spenser, The Shepheardes Calender, tradición clásica, Virgilio, Teócrito, pastoral poetry, classical tradition, Virgil, Theocritus
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Facultad de Filología
Departamento
Filologías Extranjeras y sus Lingüísticas