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El ´arte de vivir´: Liberación textual masculina en El artista barquero o los cuatro cinco de junio

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dc.contributor.authorPastor Pastor, Brígida Manuela
dc.date.accessioned2025-01-24T13:06:51Z
dc.date.available2025-01-24T13:06:51Z
dc.date.issued2015-06-04
dc.descriptionEste es el manuscrito aceptado del artículo. La versión registrada de este artículo, publicado por primera vez en Romance Studies, 33, 1 (2015), 80-94. ISSN: 0263-9904, está disponible en línea en el sitio web del editor: https://doi.org/10.1179/0263990415Z.00000000088 This is the accepted manuscript of the article. The recorded version of this article, first published in Romance Studies, 33, 1 (2015), 80-94. ISSN: 0263-9904, is available online at the publisher's website: https://doi.org/10.1179/0263990415Z.00000000088
dc.description.abstractThis study aims to demonstrate that Gómez de Avellaneda´s last novel El artista barque o los cuatro de junio (1861) contains a transgressive subtext, even more sophisticated than those found in her previous novels. El artista barquero marks a final stage in the evolution of Gómez de Avellaneda´s prose works, displaying a new assurance of style and an ironic tone which combine to create a powerful and balanced gender-inflected expression of the feminine and the masculine. Familiar themes permeate this last novel, in which both male and female characters show the same will to resist the usual frustrations presented by the dominant power structures. The story is clearly feminist in motivation, and in its use of alternative mechanisms of writing. These strategies aimed at the textual liberation of the masculine are both invigorating and effective, exploring an alternative masculine identity through the male protagonist Huberto. This study demonstrates that male characterization has direct implications for feminism because it allows the narrative to condemn the negative effects of cultural norms on the lives of men and women. In turn, the strategies used destabilize the existing traditions, to show that the perpetuation of the model imposed on men (and women) by (patriarchal) society is not pre-ordained and inevitable.en
dc.description.versionversión final
dc.identifier.citationBrígida M. Pastor, “El ´arte de vivir´: Liberación textual masculina en El artista barquero o lo cuatro cinco de Junio”. En: Brígida M. Pastor (Ed.). Gender, Writing, Empowerment. Monográfico especial: Romance Studies, 33, 1 (2015), 80-94. ISSN: 0263-9904. https://doi.org/10.1179/0263990415Z.00000000088
dc.identifier.doihttps://doi.org/10.1179/0263990415Z.00000000088
dc.identifier.issn0263-9904; e-ISSN:1745-8153
dc.identifier.urihttps://hdl.handle.net/20.500.14468/25499
dc.journal.issue1
dc.journal.titleRomance Studies
dc.journal.volume33
dc.language.isoes
dc.publisherTaylor and Francis Group Routledge
dc.relation.centerFacultades y escuelas::Facultad de Filología
dc.relation.departmentLiteratura Española y Teoría de la Literatura
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subject55 Historia::5505 Ciencias auxiliares de la historia::5505.10 Filología
dc.subject.keywordsTextual liberationen
dc.subject.keywordsmasculine identityen
dc.subject.keywordsnarrative strategiesen
dc.subject.keywordsGómez de Avellanedaes
dc.subject.keywordsEl artista barquero o lo cuatro cinco de junioes
dc.titleEl ´arte de vivir´: Liberación textual masculina en El artista barquero o los cuatro cinco de junioes
dc.typeartículoes
dc.typejournal articleen
dspace.entity.typePublication
relation.isAuthorOfPublicationa399def4-53d0-41ee-a471-9af4c543be08
relation.isAuthorOfPublication.latestForDiscoverya399def4-53d0-41ee-a471-9af4c543be08
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