Publicación:
Magic, Royal Weddings and Censorship in Shakespearian Theatre

dc.contributor.authorLorenzo Hernández, Encarnación
dc.contributor.directorBallesteros González, Antonio Andrés
dc.date.accessioned2024-05-20T12:12:04Z
dc.date.available2024-05-20T12:12:04Z
dc.date.issued2021-06-01
dc.description.abstractWith an interdisciplinary approach, this paper studies how Shakespeare had to deal with Elizabethan censorship, which forbade staging weddings that were the expected happy ending for any comedy. However, when it came to aristocratic unions, surrounded by luxurious feasts, as well as rituals and magical practices to ensure their prosperity and fertile offspring, he restaged those nuptial ceremonies in the form of courtly masques, pageants or analogous metatheatrical devices. Through them he was able to offer profound insights about the limits and possibilities of the dramatic art, engaged in a radical process of change in Early Modern England. He also drew on related genres, such as the epithalamia, and medieval traditions, as it can be seen in AYLI, TT, LLL and AMND.en
dc.description.versionversión final
dc.identifier.urihttps://hdl.handle.net/20.500.14468/13205
dc.language.isoen
dc.publisherUniversidad Nacional de Educación a Distancia (España). Facultad de Filología. Departamento de Filologías Extranjeras y sus Lingüísticas
dc.relation.centerFacultades y escuelas::Facultad de Filología
dc.relation.degreeGrado en Estudios Ingleses: Lengua, Literatura y Cultura
dc.relation.departmentFilologías Extranjeras y sus Lingüísticas
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subject.keywordsliminality
dc.subject.keywordsnuptial rituals
dc.subject.keywordswedding masque
dc.subject.keywordsepithalamia
dc.subject.keywordsmetatheatricality
dc.titleMagic, Royal Weddings and Censorship in Shakespearian Theatrees
dc.typeproyecto fin de carreraes
dc.typebachelor thesisen
dspace.entity.typePublication
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