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A River the Colour of Lead. British Social Realism of the 1950s and 1960s: A Common Ground for Kitchen Sink Cinema and The Smiths’ Work

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dc.contributor.authorGómez Reverte, Mónica
dc.date.accessioned2024-05-20T12:12:16Z
dc.date.available2024-05-20T12:12:16Z
dc.date.issued2021-06-01
dc.description.abstractThis final project aims to follow the thread of Social Realism in British cinema from the Documentary Movement of the 1930s, through the Social Problem film and the Free Cinema movement of the 1950s, to the British New Wave. Henceforth, we will analyse the Kitchen Sink film cycle and specifically consider Shelagh Delaney’s debut drama, A Taste of Honey. Hereinafter, through textual comparison, we will show how her work immensely influenced that of The Smiths, arguably the most influential British band since The Beatles. By the end of the paper, we will be aware of the extent to which the lyrics of the Mancunian band are pervaded with traits of Social Realism and replete with direct references and quotations from Kitchen Sink films, notably from Shelagh Delaney’s work.en
dc.description.versionversión final
dc.identifier.urihttps://hdl.handle.net/20.500.14468/13273
dc.language.isoen
dc.publisherUniversidad Nacional de Educación a Distancia (España). Facultad de Filología. Departamento de Filologías Extranjeras y sus Lingüísticas
dc.relation.centerFacultad de Filología
dc.relation.departmentFilologías Extranjeras y sus Lingüísticas
dc.rightsAtribución-NoComercial-SinDerivadas 4.0 Internacional
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject.keywordsA Taste of Honey
dc.subject.keywordsBritish Social Realism
dc.subject.keywordsKitchen Sink
dc.subject.keywordsShelagh Delaney
dc.subject.keywordsThe Smiths
dc.titleA River the Colour of Lead. British Social Realism of the 1950s and 1960s: A Common Ground for Kitchen Sink Cinema and The Smiths’ Workes
dc.typeproyecto fin de carreraes
dc.typebachelor thesisen
dspace.entity.typePublication
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