Publicación: La Espiral Cave (Cuba): Guano and signs of Plant Substances Used as Paint Ingredients
dc.contributor.author | Fernández, Racso | |
dc.contributor.author | Morales, Dany | |
dc.contributor.author | Mas Cornellá, Martí | |
dc.contributor.author | Jorge, Alberto | |
dc.contributor.author | Solís Delgado, Mónica | |
dc.contributor.author | Parra, Enrique | |
dc.contributor.author | Rodríguez, Dialvys | |
dc.date.accessioned | 2024-11-25T16:00:57Z | |
dc.date.available | 2024-11-25T16:00:57Z | |
dc.date.issued | 2017-05-22 | |
dc.description | The registered version of this article, first published in Journal of Archaeological Method and Theory , is available online at the publisher's website: Springer Nature, https://doi.org/10.1007/S10816-017-9329-Z | |
dc.description | La versión registrada de este artículo, publicado por primera vez en Journal of Archaeological Method and Theory , está disponible en línea en el sitio web del editor: Springer Nature, https://doi.org/10.1007/S10816-017-9329-Z | |
dc.description.abstract | At La Espiral cave, located in Bahia Honda municipality (Artemisa province, Cuba), there are several pictographs, including two of particular importance due to the design used: one of concentric circles and another of a spiral. We analyzed the pigments and binders used in one of these pictographs. The chemical ingredients of the paint are considered in this article, as well as the use of bat guano as a major pigment compound. The apparent presence of ellagic acid, ellagitannin, or anthocyanins would strengthen the hypothesis that artists used vegetable protein as a paint binder or solvent. | en |
dc.description.version | manuscrito aceptado | |
dc.identifier.citation | Fernández, Racso, Dany Morales, Martí Mas, Alberto Jorge, Monica Solís, Enrique Parra, y Dialvys Rodríguez. «La Espiral Cave (Cuba): Guano and signs of Plant Substances Used as Paint Ingredients». Journal of Archaeological Method and Theory 25, n.º 1 (2018): 289-305. https://doi.org/10.1007/S10816-017-9329-Z | |
dc.identifier.doi | https://doi.org/10.1007/S10816-017-9329-Z | |
dc.identifier.issn | 1072-5369 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14468/24514 | |
dc.journal.issue | 1 | |
dc.journal.title | Journal of Archaeological Method and Theory | |
dc.journal.volume | 25 | |
dc.language.iso | en | |
dc.page.final | 305 | |
dc.page.initial | 289 | |
dc.publisher | Springer Nature | |
dc.relation.center | Facultades y escuelas::Facultad de Geografía e Historia | |
dc.relation.department | Prehistoria y Arqueología | |
dc.rights | info:eu-repo/semantics/openAccess | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/deed.es | |
dc.subject | 55 Historia::5504 Historia por épocas::5504.05 Prehistoria | |
dc.subject | 55 Historia::5505 Ciencias auxiliares de la historia::5505.01 Arqueología | |
dc.subject.keywords | pigments | en |
dc.subject.keywords | guano | en |
dc.subject.keywords | binder/solvent | en |
dc.subject.keywords | pictograph | en |
dc.subject.keywords | quercus | en |
dc.subject.keywords | juglans | en |
dc.title | La Espiral Cave (Cuba): Guano and signs of Plant Substances Used as Paint Ingredients | en |
dc.type | artículo | es |
dc.type | journal article | en |
dspace.entity.type | Publication | |
relation.isAuthorOfPublication | fbc793ad-b89d-4c0a-80b2-910fbc67a8b6 | |
relation.isAuthorOfPublication | 11bad31e-b12d-440d-8af9-32f9ad37d7c5 | |
relation.isAuthorOfPublication.latestForDiscovery | fbc793ad-b89d-4c0a-80b2-910fbc67a8b6 |
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