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Are you stark mad? Ferdinand’s Madness in The Duchess Of Malfi

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dc.contributor.authorFraga Sanjurjo, María Mercedes
dc.date.accessioned2024-05-20T12:12:43Z
dc.date.available2024-05-20T12:12:43Z
dc.date.issued2021-06-01
dc.description.abstractThe representation of Ferdinand’s madness in The Duchess of Malfi is developed through three elements: the relationship between Ferdinand and his twin the Duchess, the metatheatrical devices that Ferdinand designs to torture her and lycanthropy. This TFG analyses these ingredients following the threat of madness that hovers over him until he is diagnosed of lycanthropy at the end of the play. The structure of the study is marked by the development of Ferdinand’s state of mind and emphasises the connection between his dual identity and his progressive transformation. The exploration of the distortion of his identity, the use of artifice, images and Ferdinand’s language give evidence of the conflict between appearance and reality in The Duchess of Malfi. Hence, madness is an instrument of exploration of this issue.en
dc.description.versionversión final
dc.identifier.urihttps://hdl.handle.net/20.500.14468/13360
dc.language.isoen
dc.publisherUniversidad Nacional de Educación a Distancia (España). Facultad de Filología. Departamento de Filologías Extranjeras y sus Lingüísticas
dc.relation.centerFacultad de Filología
dc.relation.departmentFilologías Extranjeras y sus Lingüísticas
dc.rightsAtribución-NoComercial-SinDerivadas 4.0 Internacional
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject.keywordsThe Duchess of Malfi
dc.subject.keywordsFerdinand
dc.subject.keywordsthe Duchess
dc.subject.keywordsappearance and reality
dc.subject.keywordsmadness
dc.titleAre you stark mad? Ferdinand’s Madness in The Duchess Of Malfies
dc.typeproyecto fin de carreraes
dc.typebachelor thesisen
dspace.entity.typePublication
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