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Professional male singers’ formant strategies for the vowel /a/

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dc.contributor.authorSundberg, Johan
dc.contributor.authorFilipa M.B., Lã
dc.contributor.authorGill, Brian P.
dc.date.accessioned2024-05-20T11:21:54Z
dc.date.available2024-05-20T11:21:54Z
dc.date.issued2011-11-15
dc.description.abstractCertain spectrum characteristics have been identified as important for register equalization around the male passaggio, an effect ascribed to formant tuning although descriptions of formant tuning diverge. Eight professional singers sang scales including their passaggio range on different vowels, applying two formant tuning strategies as found in (Citation) classical and (Citation) non-classical singing. Formant frequencies were measured using inverse filtering. Results revealed differences between the two strategies. For the classical formant tuning, systematic changes of formant frequencies with pitch were observed. For the highest note sung on /a/, was below the second partial and in the vicinity of the third. Similar spectrum characteristics were achieved by different and values between singers.en
dc.description.versionversión final
dc.identifier.doihttps://doi.org/10.3109/14015439.2011.587448
dc.identifier.issn1651-2022
dc.identifier.urihttps://hdl.handle.net/20.500.14468/11803
dc.journal.issue4
dc.journal.titleLogopedics Phoniatrics Vocology
dc.journal.volume36
dc.language.isoen
dc.publisherTaylor & Francis
dc.relation.centerFacultad de Educación
dc.relation.departmentDidáctica, Organización Escolar y Didácticas Especiales
dc.rightsAtribución-NoComercial-SinDerivadas 4.0 Internacional
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject.keywordsformant tuning
dc.subject.keywordsmale singers
dc.subject.keywordsspectrum
dc.subject.keywordsharmonics
dc.titleProfessional male singers’ formant strategies for the vowel /a/es
dc.typeartículoes
dc.typejournal articleen
dspace.entity.typePublication
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