Persona: Llorens Cubedo, Didac
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0000-0002-9246-0316
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Llorens Cubedo
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Didac
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Publicación Man of the Theatre: Stage Performances of T. S. Eliot’s Work in Spain (1949–2016)(Springer, 2021) Llorens Cubedo, DidacT. S. Eliot’s presence in Spanish theatres has taken various forms. His verse drama enjoyed a relative popularity in the late 1940s and in the 1950s: Murder in the Cathedral, The Family Reunion and The Cocktail Party were staged by student and amateur groups, “chamber” companies and even a national theatre. Reviews were ambivalent, most of them finding fault with the plays’ poetic density as an impediment for performance. Although, as a conservative Anglo-Catholic, Eliot was a priori an unproblematic author for the Francoist establishment and its censorship, critics loyal to Spanish National Catholicism were uncomfortable with the tragic fatalism of The Family Reunion, or with the non-judgemental treatment of adultery in The Cocktail Party. When Eliot’s plays were losing their appeal from the late 1950s onwards, only Murder in the Cathedral was occasionally performed in Spain. More recently, intermedial transpositions and dramatizations of Eliot’s poetry have consolidated his image as a great influential poet whose drama is a rarity.Publicación Syrie James’s The Secret Diaries of Charlotte Brontë: A Neo-Victorian Biofiction of Pride and Prejudice(Universidad de Valladolid, 2022-11-23) Llorens Cubedo, DidacSyrie James’s The Secret Diaries of Charlotte Brontë (2009) is a first-person narrative of the last ten years of the Victorian novelist’s life. It is a neo-Victorian celebrity biofiction, tending to the hagiographic. It draws on various biographies of Brontë, on her letters and on her autobiographical novels. Interestingly, it also evokes Jane Austen’s Pride and Prejudice, a novel that Brontë famously disliked. The present article considers Secret Diaries within the parameters of neo-Victorian biofiction; it identifies parallelisms with Austen’s classic; it reassesses the relationship between Brontë and Austen; and, in doing all this, shows that the chronological scope of Neo-Victorianism is broad.Publicación The Waste Land: A Hundred Years Later(Universidad de La Laguna, 2022-01-01) Patea, Viorica; Llorens Cubedo, Didac