Persona: Urquizar Herrera, Antonio
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0000-0002-3485-4464
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Urquizar Herrera
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Publicación Sixteenth-Century Notions of Spolia and Triumph Representation(Brepols, 2023) Urquizar Herrera, Antonio::virtual::4730::600; Urquizar Herrera, Antonio; Urquizar Herrera, Antonio; Urquizar Herrera, AntonioPublicación La profesión de pintor (principiante, aprovechado o perfecto) en la teoría artística de Francisco Pacheco(Istituti Editoriali e Poligrafici Internazionali, 2018) Urquizar Herrera, AntonioPublicación Memory and taste in the collections and households of the Spanish nobility (nineteenth and early twentieth centuries): an introduction to the topic with some notes on the house of Osuna and the origins of the period room(Routledge. Taylor & Francis Group, 2019-07-10) Urquizar Herrera, Antonio“Albeit democratic, their coat of arms has pride of place”. Thus Romualdo Nogués defined, in 1890, Spanish collectors of bourgeois origin who had joined the ranks of the aristocracy. A few years later, in 1924, the Duke of Alba’s maiden speech at the Academia de Bellas Artes de San Fernando justified his personal artistic worthiness on the basis of his ancestors’ collecting activities and the artworks they had amassed. These two examples set the scene for the research questions studied in this monographic issue. The present introduction offers a bird’s eye view of the phenomenon and continues with a few remarks about the House of Osuna which, as is well known, occupied a pivotal position in Spanish nobility during the whole of the second half of the nineteenth century.Publicación The Meaning of Objects from the Indies in Early Sixteenth-Century Castilian Households(Denver Art Museum, 2020) Urquizar Herrera, AntonioPublicación Islamic Objects in the Material Culture of the Castilian Nobility: Trophies and the Negotiation of Hybridity(Brill, 2019) Urquizar Herrera, AntonioPublicación La ingenuidad de la pintura y la teoría jurídica y social de los clásicos(Iberoamericana Vervuert, 2018) Urquizar Herrera, Antonio