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Hernández Lorenzo, Laura

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0000-0003-3489-2193
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Hernández Lorenzo
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Laura
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2021 - 20245
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Mostrando 1 - 5 de 5
  • Miniatura
    Publicación
    Nueva Luz para la problemática de Versos: Una aproximación a su léxico desde las Humanidades Digitales y los estudios de corpus
    (Universidad de Sevilla, 2021) Hernández Lorenzo, Laura; Montero, Juan; Ruiz Pérez, Pedro
  • Miniatura
    Publicación
    Introducción a la Estilometría: aplicaciones a la poesía de Fernando de Herrera
    (Dykinson, 2023) Hernández Lorenzo, Laura; Mármol Ávila, Pedro
  • Miniatura
    Publicación
    Description of Postdata Poetry Ontology V1.0
    (ICL CAS, 2021) Diez Platas, María Luisa; Bermúdez, Helena; Ros Muñoz, Salvador; González Blanco, Elena; Corcho, Oscar; Khalil Gómez, Omar; Hernández Lorenzo, Laura; Sisto, Mirella De; Rosa, Javier de la; Pérez Pozo, Álvaro; Diez, Aitor; Rodriguez, José Luis; Plecháč, P.; Kolár, R.; Bories,A.; Říha, J.
    One stream of work in the digital humanities focuses on interoperability processes and the description of traditional concepts using computer-readable languages. In the case of literary studies, there has been some research into these topics, but the complexity of the knowledge domain remains an issue. This complexity is based on the different interpretations of concepts in different traditions, the use of isolated and private databases, unique applications of language and, thus, the richness of poetic information. All of this suggests the need to explore new options to represent the complexity in computer-readable language. This paper presents an ontology network designed to capture poetry domain knowledge. The ontologies in question relate to poetic works and their structural and prosodic components.
  • Miniatura
    Publicación
    From stage to page: Stylistic variation in fictional speech
    (De Gruyter, 2024) Šeļa, Artjoms; Nagy, Ben; Byszuk, Joanna; Hernández Lorenzo, Laura; Szemes, Botond; Eder, Maciej
    Stylometryismostlyappliedtoauthorialstyle.Morerecently,researchershave begun investigating the style ofcharacters, finding that although there isdetectable stylistic variation, the variation remains within authorial bounds. Inthis article, we address the stylistic distinctiveness of characters in drama. Ourprimary contribution is methodological; we introduce and evaluate two non-parametric methods to produce a summary statistic for character distinctivenessthat can be usefully applied and compared across languages and times. This is asignificant advance – previous approaches have either been based on pairwisesimilarities (which cannot be easily compared) or indirect methods that attemptto infer distinctiveness using classification accuracy. Our first method is based onbootstrap distances between 3-gram probability distributions, the second (rem-iniscent of ‘unmasking’ techniques) on word keyness curves. Both methods arevalidated and explored by applying them to a reasonably large corpus (a subsetof DraCor): we analyze 3301 characters drawn from 2324 works, covering fivecenturies and four languages (French, German, Russian, and the works of Shake-speare). Both methods appear useful; the 3-gram method is statistically morepowerful, but the word keyness method offers rich interpretability. Both methodsare able to capture phonological differences such as accent or dialect, as well asbroad differences in topic and lexical richness. Based on exploratory analysis,we find that smaller characters tend to be more distinctive and that women arecross-linguistically more distinctive than men, with this latter finding carefullyinterrogated using multiple regression. This greater distinctiveness stems froma historical tendency for female characters to be restricted to an ‘internal nar-rative domain’ covering mainly direct discourse and family/romantic themes. Itis hoped that direct, comparable statistical measures will form a basis for moresophisticated future studies, and advances in theory
  • Miniatura
    Publicación
    Digital Stylistics Applied to Golden Age Spanish Poetry Is Fernando de Herrera Really a Transitional Poet between Renaissance and Baroque?
    (Heidelberg University Publishing, 2024) Hernández Lorenzo, Laura
    This paper applies Digital Stylistics methods to Golden Age Spanish poetry, one of the most important literary periods of Spanish literature, and to Fernando de Herrera’s poems, who has been considered a transitional writer between the Renaissance style of Garcilaso de la Vega and the Baroque of Luis de Góngora. The aim of this study is to analyze Herrera’s role in the stylistic evolution from Renaissance to Baroque and to verify if the posthumous edition of his poetry, Versos (1619), is more Baroque, as some critics have suggested. For this purpose, a stylometry technique (Zeta), different features (words and PoS n-grams) and parameters (PoS bigrams and trigrams) have been used. Results point to the transitional role of Herrera’s work in general, with the detection of a more Baroque component in Versos edition through some of the analyses.