Persona: Martínez Cantón, Clara Isabel
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Martínez Cantón
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Clara Isabel
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Publicación ANJA, ¿dónde están los encabalgamientos?(2018) Ruiz Fabo, Pablo; González-Blanco García, Elena; Martínez Cantón, Clara IsabelEste póster presenta la interfaz ANJA para el análisis automático del encabalgamiento desde una sencilla aplicación web: http://prf1.org/anja/index/, desarrollada dentro del proyecto ERC POSTDATA GA- 6795281.Publicación DISCO: Diachronic Spanish Sonnet Corpus(Universität zu Köln, 2018) Ruiz Fabo, Pablo; Calvo Tello, José; Martínez Cantón, Clara IsabelThis poster presents a corpus of 19th-century sonnets in Spanish in XML-TEI (685 authors, 2677 sonnets). It includes well-known authors, like Bécquer, Delmira Agustini or “Clarín”, but also less canonized authors. Texts and authors are enriched with identifiers and metadata.Publicación Plotting Poetry: On Mechanically Enhanced Reading, 5th-7th October, Basel, Switzerland [Chronicle](University of Tartu, 2017) Plecháč, Petr; Ruiz Fabo, Pablo; Seláf, Levente; Martínez Cantón, Clara IsabelThe international conference Plotting Poetry: On Mechanically Enhanced Reading was organised by Anne-Sophie Bories, Hugues Marchal (both University of Basel), and Gérald Purnelle (Liege University) held in Basel, Switzerland from 5 to 7 October 2017. This conference comprised 26 presentations in English and French, delivered by scholars from eleven different countries and devoted to a wide range of projects in which poetry, poetics, and poeticity meet with computers and quantitative models.Publicación Automatic enjambment detection as a new source of evidence in Spanish versification(2017) Ruiz Fabo, Pablo; González-Blanco García, Elena; Poibeau, Thierry; Martínez Cantón, Clara IsabelWe present software to automatically identify enjambment (and its type) in Spanish. Traditionally, enjambment is described as a device whereby no syntactic pause occurs at the end of a poetry line, splitting a phrase across two lines. Most definitions highlight the conflict between syntactic and metrical units, yielding stylistic effects like double interpretations. In Spanish versification, Quilis (1964) performed poetry reading experiments, characterizing enjambment as happening only when very cohesive syntactic units, which it would be unnatural to interrupt, are split across lines. Spang (1983) noted that splitting verbs and their subject or object across two lines also triggers (softer) enjambment-like effects. These characterizations are still considered current, but some points in them are debated. To systematically gather evidence on enjambment, we created a Natural Language Processing-based system that automatically detects and types enjambments as characterized above. For evaluation, we manually annotated a reference corpus. We consider system results satisfactory; F1 varied depending on enjambment type and poems’ period. A system and corpus description, and evaluation are at: https://sites.google.com/site/spanishenjambment/ We are not aware of large-sample enjambment studies across periods, literary movements, or versification types in Spanish, or other languages. Automatic detection can provide quantitative evidence for questions in verse theory, e.g.: To what an extent is enjambment used differently in free verse vs. traditional versification? Applying the system to 3750 sonnets covering four centuries is shedding light on unclear points in the definition of enjambment. The system finds line-pairs formally fitting the description of enjambment, but that, upon human validation, we’d consider borderline cases, given other stylistic factors, e.g. hyperbaton. Conversely, our annotators are sometimes surprised that certain line-pairs are not considered enjambed in the typology. Automatic identification of many examples, plus expert validation, is helping towards a more nuanced redefinition of enjambment.Publicación Enjambment Detection in a Large Diachronic Corpus of Spanish Sonnets(Association for Computational Linguistics, 2017) Ruiz Fabo, Pablo; Poibeau, Thierry; González-Blanco García, Elena; Martínez Cantón, Clara IsabelEnjambment takes place when a syntactic unit is broken up across two lines of poetry, giving rise to different stylistic effects. In Spanish literary studies, there are unclear points about the types of stylistic effects that can arise, and under which linguistic conditions. To systematically gather evidence about this, we developed a system to automatically identify enjambment (and its type) in Spanish. For evaluation, we manually annotated a reference corpus covering different periods. As a scholarly corpus to apply the tool, from public HTML sources we created a diachronic corpus covering four centuries of sonnets (3750 poems), and we analyzed the occurrence of enjambment across stanzaic boundaries in different periods. Besides, we found examples that highlight limitations in current definitions of enjambment.Publicación The Diachronic Spanish Sonnet Corpus (DISCO): TEI and Linked Open Data Encoding, Data Distribution and Metrical Findings(2018) Ruiz Fabo, Pablo; Bermúdez Sabel, Helena; González-Blanco García, Elena; Navarro Colorado, Borja; Martínez Cantón, Clara IsabelThis paper describes the DISCO corpus and how it complements available digital materials for poetry in Spanish in several respects: First, the author and period range. Second, metadata concerning the authors and their works expressed in TEI-RDFa, given the importance of interoperability between literary datasets and the advantages of Linked Open Data as a paradigm. Finally, example findings that can be obtained with our corpus are provided, regarding metrical patterns diachronically.Publicación Poetry Lab (POSTER)(2018) González-Blanco García, Elena; Díez Platas, María Luisa; Ruiz Fabo, Pablo; Bermúdez Sabel, Helena; Ayciriex, Luciana; Ros Muñoz, Salvador; Martínez Cantón, Clara IsabelMain goals: a) Develop Tools for automatic poetry analysis, largely based on Natural Language Processing. b) Carry out the detection of literary phenomena relied on linguistic characteristics.Publicación Distant Rhythm: Automatic Enjambment Detection on Four Centuries of Spanish Sonnets(2017) Ruiz Fabo, Pablo; Poibeau, Thierry; Martínez Cantón, Clara IsabelEnjambment takes place when a syntactic unit is broken up across two lines of poetry, giving rise to different stylistic effects. In Spanish literary studies, detailed case-studies of the phenomenon based on single authors exist. However, a larger-scale study spanning hundreds of major and minor authors, across several centuries, is not available so far. Towards that need, we have developed software based on Natural Language Processing (NLP), to automatically identify enjambment (and its type) in Spanish. To evaluate the system, we manually annotated two reference corpora (one diachronic, one from the 20th century). Results are satisfactory for the system's first version, with F1 varying depending on period and enjambment type. As a scholarly corpus to apply the tool, from public HTML sources we created a diachronic corpus covering four centuries of sonnets (3750 poems). We applied the tool to analyze the occurrence of enjambment across stanzaic boundaries in different periods.Publicación Poetry and Digital Humanities making interoperability possible in a divided world of digital poetry: POSTDATA project. (ABSTRACT)(2018) González-Blanco García, Elena; Ruiz Fabo, Pablo; Díez Platas, María Luisa; Bermúdez Sabel, Helena; Ayciriex, Luciana; Ros Muñoz, Salvador; Martínez Cantón, Clara Isabel; Caminero Herráez, Agustín CarlosPublicación ¿Es el modernismo hispanofilipino una simple copia del latinoamericano? Un análisis distante de la forma y el contenido de dos corpus de sonetos(Universidad de Valladolid, 2024-03-18) Ruiz Fabo, Pablo; Ortuño Casanova, María del Rocío; Martínez Cantón, Clara IsabelLa poesía modernista filipina en español ha sido acusada de ser una imitación irreflexiva de la poesía modernista latinoamericana y de ser escapista y extranjerizante. En este trabajo realizamos una comparación entre un corpus de sonetos filipinos modernistas en español y otro de sonetos de dos de los más influyentes literatos latinoamericanos modernistas: Rubén Darío y José Santos Chocano. Por medio de metodologías digitales, realizamos una comparación de la métrica y la temática de ambos corpus y ponemos de relieve que, si de hecho la estética de Darío y Chocano influye en los sonetos filipinos, estos añaden la originalidad de aportar metros prehispánicos y ponen mucho más énfasis en cuestiones de construcción y reivindicación nacional.