Persona:
Monteira Arias, Inés

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ORCID
0000-0002-9610-4407
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Monteira Arias
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Inés
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2021 - 20236
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Fecha de finalización: 2023 × Fecha de inicio: 2020 ×

Resultados de la búsqueda

Mostrando 1 - 6 de 6
  • Miniatura
    Publicación
    Enanos sobre gigantes. La herencia medieval en España
    (Universidad Carlos III de Madrid, 2023-12-01) Fuente Pérez, María Jesús; Monteira Arias, Inés
  • Miniatura
    Publicación
  • Miniatura
    Publicación
    Artistic Interchange between Al-Andalus and the Iberian Christian Kingdoms: The Role of the Ivory Casket from Santo Domingo de Silos
    (MDPI, 2022-02-02) Monteira Arias, Inés
    The ivory casket made in Cuenca in A.D. 1026 and signed by Mohammad ibn Zayyan constitutes invaluable evidence for the study of artistic transfers between Al-Andalus and the Iberian Christian kingdoms. In the 12th century this piece was transformed in the monastery of Santo Domingo de Silos (Burgos) with the addition of Christian-themed enamels and reused as a reliquary. The appropriation of this object within the ideological context of the Christian expansion in the Iberian Peninsula allows us to reflect on the meaning given to it by the Silos monks. Moreover, a comparative study of the casket with Romanesque sculpture shows the existence of important iconographic influences of this piece in Christian art that have not been sufficiently studied until now. Its analysis offers clues about the way in which figurative motifs could be transmitted from Andalusi to Christian art and about the symbolic purposes with which they were used. This work highlights the need to study conjointly the transfer of artistic pieces and the transmission of figurative motifs from one context to another in addition to proposing a methodology for their study.
  • Miniatura
    Publicación
  • Miniatura
    Publicación
    El centauro en el arte románico
    (Ediciones Trea, 2022) Monteira Arias, Inés
  • Miniatura
    Publicación
    La sordera doctrinal de judíos y musulmanes en el arte medieval*
    (Departamento de Historia del Arte, Universidad de Málaga, 2021-11-16) Monteira Arias, Inés::virtual::4469::600; Monteira Arias, Inés; Monteira Arias, Inés; Monteira Arias, Inés
    The depiction of Synagogue with a veil over its eyes referring to its spiritual blindness has been considered the most prototypical image of Judaism in medieval times. However, from the 11th century on we can find the representation of Jews covering their ears with their hands to show their refusal to listen to the Christian message. This idea is recurrent in theological literature and becomes a repeated visual resource in medieval art. The gesture of covering the ears is associated with both the image of Jews and Muslims, often as part of scenes in which Saint Stephen or a missionary monk preaches to the infidels. In this paper we follow up on this motif, which we find in French and Hispanic Romanesque art, in Italian Trecento and in 15th century Flemish painting, persisting into modern times. The association of this gesture with Jews and Muslims has frequently gone unnoticed by scholars and its analysis contributes to enlarging the knowledge of the depiction of religious otherness.