Examinando por Autor "Llorens Cubedo, Didac"
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Publicación Adaptation, Transfer and Transmediation of Poetic Language: Edgar Allan Poe, Christina Rossetti, T. S. Eliot and Sylvia Plath(Universidad Nacional de Educación a Distancia (España). Escuela Internacional de Doctorado. Programa de Doctorado en Filología: estudios lingüísticos y literarios, 2025) Díaz Morillo, Ester; Llorens Cubedo, DidacPublicación Anglophone Tradition, Canon, Archetypes, and Marià Manent's Anthology "El gran vent i les heures"(Universidad Nacional de Educación a Distancia (España). Facultad de Filología, 2022-03-15) Granell Sales, Carles; Llorens Cubedo, DidacEven though anthologies are an inherent part of literary history, to date there is not a systematised study of their structural principles. Yet anthologies usually are accompanied by prefaces written by the editor where the rationale is justified. Thus, the prefaces of some of the most relevant anthologies of the 20th and 21st centuries, such as the three editions of The Oxford Book of English Verse or The Norton Anthology of Poetry, have been analysed to inductively extract the main constituting elements of anthologies. These are the language in which poems are written, the literary tradition and national boundaries taken into account, the genre of the poems, the historical or authorial chronological order, the aim, function, and anthology of translations El gran vent i les heures differs from the analysed anthologies in that, according to the Catalan anthologist, it does not try to choose a representative sample of a tradition; it is a personal anthology that does not aim at being systematic (Manent, El gran vent 12; emphasis added). Nonetheless, a detailed study of the anthology leads to the opposite conclusion that it is indeed a systematic anthology imagery which synthesises the ideas of the previous critics, El gran vent is said to be actually systematic and organised according to four archetypal categories, namely nature as Eden, death as the great equaliser, love as unity, and war as conflict, and a fifth category of poems s argument that El gran vent might be translator, poet, critic, and anthologistPublicación Intermediality of Music and Literature. Echoes of Interwar British Music in Works of J.B. Priestley(Universidad Nacional de Educación a Distancia (España). Facultad de Filología., 2023-10-17) Rebollo Calvo, María Isabel; Llorens Cubedo, DidacJ.B. Priestley was a prolific writer over a long life as well as a multi-faceted personality. In recent years, studies have focused on his time plays, his views on politics, Englishness and on national identity, but seldom on Priestley’s close connections with and involvement in the world of music, which intersected with his literary writing on so many occasions. The aim of this essay is to offer an analysis of Priestley’s employment of music as a literary device enhancing both his works’ entertainment value and the social messages carried by his plays and novels produced during the interwar and post-Second World War years. A special focus is applied to two pivotal works in this respect: the novel The Good Companions (1929) and the play Music at Night (1938). Furthermore, since recent decades have seen the appearance of studies in intermediality of music and literature, this dissertation will explore the theories of Wolf and Scher, and how they may apply to Priestley’s works. The whole is set within the cultural scene of 1918 to 1939 and into the Second World War, in particular the genres of popular music and other forms of popular entertainment, and classical music.Publicación Man of the Theatre: Stage Performances of T. S. Eliot’s Work in Spain (1949–2016)(Springer, 2021) Llorens Cubedo, DidacT. S. Eliot’s presence in Spanish theatres has taken various forms. His verse drama enjoyed a relative popularity in the late 1940s and in the 1950s: Murder in the Cathedral, The Family Reunion and The Cocktail Party were staged by student and amateur groups, “chamber” companies and even a national theatre. Reviews were ambivalent, most of them finding fault with the plays’ poetic density as an impediment for performance. Although, as a conservative Anglo-Catholic, Eliot was a priori an unproblematic author for the Francoist establishment and its censorship, critics loyal to Spanish National Catholicism were uncomfortable with the tragic fatalism of The Family Reunion, or with the non-judgemental treatment of adultery in The Cocktail Party. When Eliot’s plays were losing their appeal from the late 1950s onwards, only Murder in the Cathedral was occasionally performed in Spain. More recently, intermedial transpositions and dramatizations of Eliot’s poetry have consolidated his image as a great influential poet whose drama is a rarity.Publicación Un político venerable(Visor, 2022) Eliot, T. S.; Llorens Cubedo, Didac; Gibert Maceda, María Teresa; Soláns García, MariángelPublicación "Quite another thing": Irlanda en la obra completa de Oscar Wilde(Universidad Nacional de Educación a Distancia (España). Escuela Internacional de Doctorado. Programa de Doctorado en Filología: estudios lingüísticos y literarios, 2020-12-11) Guerrero García, María Cristina; Llorens Cubedo, DidacPodría sorprender que hasta la década de 1990, casi un siglo después de su muerte, la obra de un autor dublinés llamado Oscar Fingal O'Flahertie no fuera estudiada desde el prisma de la influencia de Irlanda, ni siquiera por corrientes como el biographical criticism. Más conocido como Oscar Wilde, fueron sus exitosas society comedies y su controvertida novela "The Picture of Dorian Gray" los textos que más interés han generado hasta el momento, siempre vistos como ejemplos de la sátira wildeana y de su pose esteticista. Nuestro trabajo ha consistido en, partiendo de una línea del tiempo, identificar los géneros literarios que Wilde exploró a lo largo de toda su vida y buscar en ellos huellas de una hipotética huella irlandesa marcada por su folclore y su tradición literaria. Sus años de residencia en Irlanda, su propia familia (toda de origen irlandés) y su contacto con políticos y autores irlandeses durante su exilio cultural en Londres en una etapa en la que el gobierno de Gran Bretaña en Irlanda marcaba la agenda política, le habrían llevado a sentirse un outsider en una sociedad que él llegó a acusar de filistea y a afirmar: “I am not English. I am Irish, which is quite another thing.”