Professional male singers’ formant strategies for the vowel /a/
Sundberg, Johan, Filipa M.B., Lã y Gill, Brian . (2011) Professional male singers’ formant strategies for the vowel /a/. Logopedics Phoniatrics Vocology, 36:4
Ficheros
(Some files may be inaccessible until you login with your e-spacio credentials)
Certain spectrum characteristics have been identified as important for register equalization around the male passaggio, an effect ascribed to formant tuning although descriptions of formant tuning diverge. Eight professional singers sang scales including their passaggio range on different vowels, applying two formant tuning strategies as found in (Citation) classical and (Citation) non-classical singing. Formant frequencies were measured using inverse filtering. Results revealed differences between the two strategies. For the classical formant tuning, systematic changes of formant frequencies with pitch were observed. For the highest note sung on /a/, was below the second partial and in the vicinity of the third. Similar spectrum characteristics were achieved by different and values between singers.
This is the Accepted Manuscript of an article published by Taylor & Francis in "Logopedics Phoniatrics Vocology" on 15 Nov 2011,available online: https://doi.org/10.3109/14015439.2011.587448
Notas adicionales
Este es el manuscrito aceptado de un artículo publicado por Taylor & Francis en "Logopedics Phoniatrics Vocology" el 15 de Nov 2011, disponible en línea: https://doi.org/10.3109/14015439.2011.587448
