Artistic Interchange between Al-Andalus and the Iberian Christian Kingdoms: The Role of the Ivory Casket from Santo Domingo de Silos

Monteira Árias, Inés . (2022) Artistic Interchange between Al-Andalus and the Iberian Christian Kingdoms: The Role of the Ivory Casket from Santo Domingo de Silos. Histories Vol 2, Issue 1

Ficheros (Some files may be inaccessible until you login with your e-spacio credentials)
Nombre Descripción Tipo MIME Size
Monteira_Arias_Ines_Artistic_Interchange.pdf Monteira Arias_Ines_Artistic Interchange.pdf application/pdf 1.22MB

Título Artistic Interchange between Al-Andalus and the Iberian Christian Kingdoms: The Role of the Ivory Casket from Santo Domingo de Silos
Autor(es) Monteira Árias, Inés
Materia(s) Historia del Arte
Abstract The ivory casket made in Cuenca in A.D. 1026 and signed by Mohammad ibn Zayyan constitutes invaluable evidence for the study of artistic transfers between Al-Andalus and the Iberian Christian kingdoms. In the 12th century this piece was transformed in the monastery of Santo Domingo de Silos (Burgos) with the addition of Christian-themed enamels and reused as a reliquary. The appropriation of this object within the ideological context of the Christian expansion in the Iberian Peninsula allows us to reflect on the meaning given to it by the Silos monks. Moreover, a comparative study of the casket with Romanesque sculpture shows the existence of important iconographic influences of this piece in Christian art that have not been sufficiently studied until now. Its analysis offers clues about the way in which figurative motifs could be transmitted from Andalusi to Christian art and about the symbolic purposes with which they were used. This work highlights the need to study conjointly the transfer of artistic pieces and the transmission of figurative motifs from one context to another in addition to proposing a methodology for their study.
Palabras clave Islamic motifs in Spanish Romanesque
Ibn Zayyan ivory casket
monastery of Santo Domingo de Silos
Romanesque model books
Editor(es) MDPI
Fecha 2022-02-02
Formato application/pdf
Identificador bibliuned:402-Imonteira-1000
http://e-spacio.uned.es/fez/view/bibliuned:402-Imonteira-1000
DOI - identifier https://doi.org/10.3390/histories2010003
ISSN - identifier 2409-9252
Nombre de la revista Histories
Número de Volumen 2
Número de Issue 1
Página inicial 33
Página final 45
Publicado en la Revista Histories Vol 2, Issue 1
Idioma eng
Versión de la publicación publishedVersion
Tipo de recurso Article
Derechos de acceso y licencia http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
Notas adicionales The registered version of this article, first published in Histories, is available online at the publisher's website: MDPI, https://doi.org/10.3390/histories2010003
Notas adicionales La versión registrada de este artículo, publicado por primera vez en Histories, está disponible en línea en el sitio web del editor: MDPI, https://doi.org/10.3390/histories2010003

Tipo de documento: Artículo de revista
Collections: Departamento de Historia del Arte (UNED). Artículos
Set de artículo
Set de openaire
 
Versiones
Versión Tipo de filtro
Contador de citas: Google Scholar Search Google Scholar
Estadísticas de acceso: 55 Visitas, 15 Descargas  -  Estadísticas en detalle
Creado: Tue, 12 Dec 2023, 22:55:39 CET