Pastor Pastor, Brígida Manuela2025-01-232025-01-232014-11El travestimiento literario en la lírica de Gertrudis Gómez de Avellaneda. En: Brígida M. pastor (Ed.). Beyond the Canon: A Life and a Literature of her Own. Monográfico especial: Romance Studies, 32, 4 (2014), 282-293. ISSN: 0263-9904; https://doi.org/10.1179/0263990414Z.000000000800263-9904https://hdl.handle.net/20.500.14468/25466La versión registrada de este artículo, publicado por primera vez en Romance Studies, 32, 4 (2014), 282-293. ISSN: 0263-9904, está disponible en línea en el sitio web del editorhttps://doi.org/10.1179/0263990414Z.00000000080 The recorded version of this article, first published in Romance Studies, 32, 4 (2014), 282-293. ISSN: 0263-9904, is available online on the editorhttps://doi.org/10.1179/0263990414Z.00000000080 websiteThis study provides an analysis of Gertrudis Gómez de Avellaneda’s poetry, establishing the formal parameters and themes by means of which the author inscribed her feminine voice throughout her literary career. It will define the specificities of each literary context — the Cuban and the Spanish — paying particular attention to gender issues and exploring the reasons for Gómez de Avellaneda´s pre-eminence among her contemporaries. The article engages with the feminist projections of her poetry, showing how it became a weapon that subverts patriarchal discourse from within, developing a chameleon-like style and fashioning an aesthetically different (feminine) identity.esinfo:eu-repo/semantics/openAccess55 Historia::5505 Ciencias auxiliares de la historia::5505.10 FilologíaartículoGertrudis Gómez de Avellanedapoetrywomengender strategiesliterary transvestism