Atribución-NoComercial-SinDerivadas 4.0 InternacionalDíez del Corral Corredoira, Pilar2024-10-022024-10-020140Pilar Díez del Corral Corredoira, 2015. Hendrick Goltzius y Bartholomeo Spranger. Interpretaciones y lecturas de un proverbio latino”, Storia dell’Arte, n.140, 2015, 75-940392-4513https://hdl.handle.net/20.500.14468/23863The registered version of this article, first published in “Storia dell'arte, Nº. 140, 2015, págs. 21-40", is available online at the publisher's website: CAM La versión registrada de este artículo, publicado por primera vez en “Storia dell'arte, Nº. 140, 2015, págs. 21-40", está disponible en línea en el sitio web del editor: CAMThis article analyses the recurrence of the Latin proverb, “Sine Cerere et Libero, friget Venus”, in Hendrick Goltzius’ works of art. The number of times he depicted this aphorism during his lifetime is striking – at least twelve times documented – and speaks to his own perception as an artist. Traditionally, it was believed that Bartholomeus Spranger was the one who disseminated this topic in Mayor Arts, since he was the courtly painter of Rudolph II and because of his influence over Goltzius. This paper, however, offers an alternative view on the particular relationship between Spranger and Goltzius and how the latter was actually the driving force of this new fashionable topic.esinfo:eu-repo/semantics/restrictedAccess55 Historia::5506 Historia por especialidades::5506.02 Historia del arteartículo