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It is focused on poetry analysis, classification and publication, applying Digital Humanities methods of academic analysis in order to look for standardization. The context of the project is the corpora of European poetry, with a special focus on poetic materials from different languages and literary traditions. Interoperability problems between the different poetry collections are solved by using semantic web technologies to link and publish literary datasets in a structured way in the linked data cloud. This paper will present the current situation in the field of digital humanities analyzing poetry as the “study case” and the application of different technologies used in the field of digital humanities to provide new and innovative results. It will also introduce LINDH, the Digital Humanities Innovation Lab at UNED, a pioneer Digital Humanities center in Spain and its role as a facilitator of different technologies to be applied to the study of traditional humanistic problems with the most updates technologies in the field.0ponencia congreso10202<a class="citation_author_name" title="Navegar por nombre de Autor de González-Blanco García, Elena" href="/fez/list/author/González-Blanco García, Elena/">González-Blanco García, Elena</a>, <a class="citation_author_name" title="Navegar por nombre de Autor de Manailescu, Mara" href="/fez/list/author/Manailescu, Mara/">Manailescu, Mara</a> y <a class="citation_author_name" title="Navegar por nombre de Autor de Ros, Salvador" href="/fez/list/author/Ros, Salvador/">Ros, Salvador</a>(<span class="citation_date">2016</span>) .<a class="citation_title" title="Click para ver : From syllables, lines and stanzas to linked open data: standardization, interoperability and multilingual challenges for digital humanities" href="/fez/view/bibliuned:363-Egonzalez11">From syllables, lines and stanzas to linked open data: standardization, interoperability and multilingual challenges for digital humanities</a>. <b></b>.En: <span class="citation_conference_location">Salamanca</span>. ()RecordPonencia de CongresoPublishedFilologíaGonzález-Blanco García, ElenaManailescu, MaraRos, Salvadorbibliuned:363-Egonzalez11http://e-spacio.uned.es/fez/view/bibliuned:363-Egonzalez11SalamancaengElena_Gonzalez_Blanco_Fromsyllables.pdfpresmd_Elena_Gonzalez_Blanco_Fromsyllables.xmlbibliuned:363bibliuned:SetPonenciasbibliuned:SetopenaireDepartamento de Literatura Española (UNED). PonenciasSet de ponenciasSet de openairehttp://creativecommons.org/licences/by-nc-nd/4.0Licencia de acceso Creative CommonsGonzález-Blanco GarcíaAcceso abierto3.650429534232015-01-01T00:00:00Z3562016-04-13T04:31:24Z2016-04-13T04:31:24ZReMetCa: A Proposal for Integrating RDBMS and TEI-Versebibliuned:352-Egonzalez19This paper describes the technical structure of the project ReMetCa (Repertorio Digital de Métrica Medieval Castellana), the first online repertoire of Medieval Spanish metrics and poetry. ReMetCa is based on the combination of traditional metrical and poetic studies (rhythm and rhyme patterns) with digital humanities technology, TEI-XML integrated into a Relational Database Management System (RDBMS) through an XMLType field, thus opening up the possibility of launching simultaneous searches and queries by using a searchable, user-friendly interface. The use of the TEI Verse module to tag metrical and poetic structures is especially important for two reasons: first, because it lets us tag different kinds of poems with a variable metadata structure, making it possible to express a very high level of detail for poetry description that cannot be registered in a conventional database; and second, as it enables extensibility and adds more information to enrich the conceptual model, which is under constant development.06042<a class="citation_author_name" title="Navegar por nombre de Autor de González-Blanco García, Elena" href="/fez/list/author/González-Blanco García, Elena/">González-Blanco García, Elena</a> y <a class="citation_author_name" title="Navegar por nombre de Autor de Rodríguez, José Luis" href="/fez/list/author/Rodríguez, José Luis/">Rodríguez, José Luis</a> . (<span class="citation_date">2015</span>) <a class="citation_title" title="Click para ver : ReMetCa: A Proposal for Integrating RDBMS and TEI-Verse" href="/fez/view/bibliuned:352-Egonzalez19">ReMetCa: A Proposal for Integrating RDBMS and TEI-Verse</a>. RecordArtículo de revistaPublishedFilologíaFrench Centre for Open Electronic Publishing.González-Blanco García, ElenaRodríguez, José LuisJournal of the Text Encoding Initiativebibliuned:352-Egonzalez19http://e-spacio.uned.es/fez/view/bibliuned:352-Egonzalez191198engGonzalez_Blanco_Elena_Remetca.pdfpresmd_Gonzalez_Blanco_Elena_Remetca.xml2162-5603bibliuned:352bibliuned:Setarticulobibliuned:SetopenaireDepartamento de Literatura Española (UNED). ArtículosSet de artículoSet de openairehttp://creativecommons.org/licenses/by-nc-nd/4.0Licencia de acceso Creative CommonsGonzález-Blanco GarcíaAcceso abierto3.555493634232012-01-01T00:00:00Z2372016-04-13T03:01:25Z2016-04-13T03:02:32ZUso y función del verso alejandrino en las Cantigas de Santa Maríabibliuned:352-Egonzalez16In this paper we study the use and function of the Alexandrine, one of the most important verses in medieval Castilian poetry and in Alfonso X’s Cantigas de Santa María. Even though the King’s religious collection has been deeply analyzed in many ways, there are no studies about the use and functions of the Alexandrine verse in the narrative cantigas. We will show how this line serves as a pattern to model narrative content, not only in poems with a well-known source, but also in other texts in which the source is unknown or tied to popular or oral tradition.06492<a class="citation_author_name" title="Navegar por nombre de Autor de González-Blanco García, Elena" href="/fez/list/author/González-Blanco García, Elena/">González-Blanco García, Elena</a> y <a class="citation_author_name" title="Navegar por nombre de Autor de Rio Riande, Maria Gimena del" href="/fez/list/author/Rio Riande, Maria Gimena del/">Rio Riande, Maria Gimena del</a> . (<span class="citation_date">2012</span>) <a class="citation_title" title="Click para ver : Uso y función del verso alejandrino en las Cantigas de Santa María" href="/fez/view/bibliuned:352-Egonzalez16">Uso y función del verso alejandrino en las Cantigas de Santa María</a>. RecordArtículo de revistaPublishedFilologíaArs MetricaGonzález-Blanco García, ElenaRio Riande, Maria Gimena delArs Metricabibliuned:352-Egonzalez16http://e-spacio.uned.es/fez/view/bibliuned:352-Egonzalez161165spaGonzalez_Blanco_Elena_Uso_verso.pdfpresmd_Gonzalez_Blanco_Elena_Uso_verso.xml2220-8402bibliuned:352bibliuned:Setarticulobibliuned:SetopenaireDepartamento de Literatura Española (UNED). ArtículosSet de artículoSet de openairehttp://creativecommons.org/licenses/by-nc-nd/4.0Licencia de acceso Creative CommonsGonzález-Blanco GarcíaAcceso abierto3.555493633132017-01-01T00:00:00Z1562017-10-10T23:03:13Z2019-01-10T18:15:37ZAutomatic enjambment detection as a new source of evidence in Spanish versificationbibliuned:363-Cmartinez2We present software to automatically identify enjambment (and its type) in Spanish. Traditionally, enjambment is described as a device whereby no syntactic pause occurs at the end of a poetry line, splitting a phrase across two lines. Most definitions highlight the conflict between syntactic and metrical units, yielding stylistic effects like double interpretations. In Spanish versification, Quilis (1964) performed poetry reading experiments, characterizing enjambment as happening only when very cohesive syntactic units, which it would be unnatural to interrupt, are split across lines. Spang (1983) noted that splitting verbs and their subject or object across two lines also triggers (softer) enjambment-like effects. These characterizations are still considered current, but some points in them are debated. To systematically gather evidence on enjambment, we created a Natural Language Processing-based system that automatically detects and types enjambments as characterized above. For evaluation, we manually annotated a reference corpus. We consider system results satisfactory; F1 varied depending on enjambment type and poems’ period. A system and corpus description, and evaluation are at: https://sites.google.com/site/spanishenjambment/ We are not aware of large-sample enjambment studies across periods, literary movements, or versification types in Spanish, or other languages. Automatic detection can provide quantitative evidence for questions in verse theory, e.g.: To what an extent is enjambment used differently in free verse vs. traditional versification? Applying the system to 3750 sonnets covering four centuries is shedding light on unclear points in the definition of enjambment. The system finds line-pairs formally fitting the description of enjambment, but that, upon human validation, we’d consider borderline cases, given other stylistic factors, e.g. hyperbaton. Conversely, our annotators are sometimes surprised that certain line-pairs are not considered enjambed in the typology. Automatic identification of many examples, plus expert validation, is helping towards a more nuanced redefinition of enjambment.0ponencia congreso9612<a class="citation_author_name" title="Navegar por nombre de Autor de Martínez Cantón, Clara Isabel" href="/fez/list/author/Martínez Cantón, Clara Isabel/">Martínez Cantón, Clara Isabel</a>, <a class="citation_author_name" title="Navegar por nombre de Autor de Ruiz Fabo, Pablo" href="/fez/list/author/Ruiz Fabo, Pablo/">Ruiz Fabo, Pablo</a>, <a class="citation_author_name" title="Navegar por nombre de Autor de González-Blanco García, Elena" href="/fez/list/author/González-Blanco García, Elena/">González-Blanco García, Elena</a> y <a class="citation_author_name" title="Navegar por nombre de Autor de Poibeau, Thierry" href="/fez/list/author/Poibeau, Thierry/">Poibeau, Thierry</a>(<span class="citation_date">2017</span>) .<a class="citation_title" title="Click para ver : Automatic enjambment detection as a new source of evidence in Spanish versification" href="/fez/view/bibliuned:363-Cmartinez2">Automatic enjambment detection as a new source of evidence in Spanish versification</a>. <b></b>.En: <span class="citation_conference_location">Basel (Switzerland)</span>. ()RecordPonencia de CongresoPublishedLiteraturaMartínez Cantón, Clara IsabelRuiz Fabo, PabloGonzález-Blanco García, ElenaPoibeau, Thierrybibliuned:363-Cmartinez2http://e-spacio.uned.es/fez/view/bibliuned:363-Cmartinez2Basel (Switzerland)engClara_Martinez_Canton_plotting_pres.pdfpresmd_Clara_Martinez_Canton_plotting_pres.xmlbibliuned:363bibliuned:SetPonenciasbibliuned:SetopenaireDepartamento de Literatura Española (UNED). PonenciasSet de ponenciasSet de openairehttp://creativecommons.org/licences/by-nc-nd/4.0Licencia Creative CommonsMartínez CantónAcceso abierto2.9106092222344222242222