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fauniques issus des couches solutréennes. Le renne et le cheval en sont les principales composantes et
reflètent le fond commun du régime alimentaire des solutréens. Nous présenterons ici les premiers résultats
de l’analyse archéozoologique concernant l’exploitation de ces deux principaux taxons. Plusieurs
recollages ont été réalisés. L’exceptionnelle conservation des restes permet, outre une excellente lecture
des traces de découpe, une première reconstitution des modalités d’acquisition et d’exploitation des animaux,
ainsi que leur saison d’abattage. La rareté des ensembles fauniques solutréens fouillés et étudiés
récemment donne à celui de la grotte Rochefort un impact particulier et inédit.Several hundred faunal remains were discovered since 2005 in the Solutrean‘s level at Rochefort cave
(Mayenne, France). Reindeer and Horse are the main taxa identified and are the baseline of the Solutrean diet.
We present here the preliminary results of the faunal analysis and discuss the exploitation of these two main
taxa. A number of refits were possible. At the same time, the exceptional preservation of the artefacts together
with well-defined cut marks allows to reconstruct procurement and use patterns of these animals as
well as the season they were killed. Recently excavated and analysed Solutrean faunal assemblages are rare
which make the yet unreported Rochefort cave faunal assemblage even more important and unprecedented.05752<a class="citation_author_name" title="Browse by Author Name for Bemilli, Céline" href="/fez/list/author/Bemilli, Céline/">Bemilli, Céline</a> and <a class="citation_author_name" title="Browse by Author Name for Hinguant, Stéphan" href="/fez/list/author/Hinguant, Stéphan/">Hinguant, Stéphan</a> . (<span class="citation_date">2012</span>) <a class="citation_title" title="Click to view : Premiers resultats sur les comportements de subsistance Solutréens à la grotte Rochefort (Mayenne, France) = First results from Solutrean subsistance behaviour from Rochefort cave (Mayenne, France)" href="/fez/view/bibliuned:ETFSerieI-2012-6105">Premiers resultats sur les comportements de subsistance Solutréens à la grotte Rochefort (Mayenne, France) = First results from Solutrean subsistance behaviour from Rochefort cave (Mayenne, France)</a>. RecordArtículo de revistaPublishedhttp://udcdata.info/068273HistoriaUniversidad Nacional de Educación a Distancia (España). Facultad de Geografía e HistoriaBemilli, CélineHinguant, Stéphanbibliuned:ETFSerieI-2012-6105bibliuned:ETFSerieI-2012-6105frDocumento.pdfbibliuned:ETFSerieI-2012bibliuned:Setopenairebibliuned:SetarticuloEspacio, tiempo y forma. Serie I, Prehistoria y arqueología. Nueva época. Año 2012, n. 5Set de openaireSet de artículohttp://creativecommons.org/licenses/by-nc-nd/4.0Licencia Creative CommonsBemilliAcceso abierto3.01134934232012-01-01T00:00:00Z1522014-06-04T23:19:27ZL’extension africaine en Europe Méridionale: le Solutréen = African expansion into Southern Europe: the Solutreanbibliuned:ETFSerieI-2012-6035La vaste civilisation atérienne occupait l’ensemble du Sahara actuel, entre le Nil, le Sénégal et le
Maghreb durant des dizaines de millénaires. Son outillage est bien connu, et il tend à s’alléger dans ses
phases récentes au nord-ouest (Maroc actuel). Désormais, un art rigoureusement paléolithique est connu
en Haute-Égypte, daté entre 18 et 23000 BP (Huyge 2013). Ses canons stylistiques sont identiques à ceux
des rares sites solutréens ibériques, précisément au moment où les industries bifaciales y pénètrent sous
la forme dite de «Solutréen Moyen». Les phases proto-solutréennes, rassemblées sous ce vocable, appartiennent
en fait aux variantes gravettiennes, issues d’Europe Centrale et furent mal interprétées. Dans son
extension européenne, le Solutréen forme une cassure manifeste, tranchant sur l’histoire de notre continent.
Limité à sa partie extrêmement occidentale, il disparaît rapidement dès que les Gravettiens finaux
adoptent les modes de vie et les valeurs appropriées vers l’extension et le développement magdalénien.The vast Aterian civilization occupied the entire area of the modern Sahara, between the Nile, the
Senegal and the Maghreb during tens of thousands of years. Its tools are well known, which tend to become
smaller and lighter during the later phases in the Northwest (modern Morocco). Rigorously Paleolithic art is
now known from this period in Upper Egypt, dating prior to 23,000 BP (Huyge 2013). Its stylistic patterns are
identical to those of rare sites attributed to definitive Solutrean in Iberia, specifically when bifacial industries
arrived as the «Middle Solutrean». The Proto-Solutrean phases grouped under this term in fact belong
to Gravettian variants coming from Central Europe and were incorrectly interpreted. During its European
expansion, the Solutrean creates a clear break in the prehistory of Europe. Limited in its extremely western
part, it rapidly disappeared when the last Gravettians adopted ways of life and values leading to the expansion
and development of the Magdalenian.05662<a class="citation_author_name" title="Browse by Author Name for Otte, Marcel" href="/fez/list/author/Otte, Marcel/">Otte, Marcel</a> . (<span class="citation_date">2012</span>) <a class="citation_title" title="Click to view : L’extension africaine en Europe Méridionale: le Solutréen = African expansion into Southern Europe: the Solutrean" href="/fez/view/bibliuned:ETFSerieI-2012-6035">L’extension africaine en Europe Méridionale: le Solutréen = African expansion into Southern Europe: the Solutrean</a>. RecordArtículo de revistaPublishedhttp://udcdata.info/068273HistoriaUniversidad Nacional de Educación a Distancia (España). Facultad de Geografía e HistoriaOtte, Marcelbibliuned:ETFSerieI-2012-6035bibliuned:ETFSerieI-2012-6035frDocumento.pdfbibliuned:ETFSerieI-2012bibliuned:Setopenairebibliuned:SetarticuloEspacio, tiempo y forma. Serie I, Prehistoria y arqueología. Nueva época. Año 2012, n. 5Set de openaireSet de artículohttp://creativecommons.org/licenses/by-nc-nd/4.0Licencia Creative CommonsOtteAcceso abierto3.01134934232012-01-01T00:00:00Z18652013-09-18T23:19:27ZEstéticas y políticas del nazismo = Aesthetics and nazi politicsbibliuned:ETFSerieVII-2012-25-1075Cuando se alude a las Estéticas características del Nazismo, solemos empezar por pensar en grandes desfiles, encuentros de la juventud, marchas de antorchas, masivos sermones al aire libre y multitudes enardecidas dispuestas a lanzarse a degüello sobre el enemigo más próximo. Sin embargo no es eso lo que se desprende en absoluto, ni de un análisis de los materiales y prácticas, ni del estudio de los textos y declaraciones de los principales responsables de la producción estética del nazismo. Veremos en este artículo, por el contrario, que la apuesta de la inmensa mayoría de la producción estética nazi estuvo vinculada a la producción y estabilización de ciudadanos tan normales y razonables como nos sea dado concebir hoy mismo.
When we come to the issue of typically
nazi aesthetics, you can expect to have in
mind dreadful images of big parades,
youth meetings, massive speeches in the
open air and fanatic multitudes willing to
assault and destroy any enema at close
range. Unfortunately that’s not the pattern
we obtain out of the analyses either of the
aesthetic practices and materials or the
texts and statements made by the main
responsible agents of nazi aesthetic
production.
We shall see along this article how most of
the nazi aesthetic outcomes were closely
related to the production and stabilization
of such normal and sensible citizens as we
might be able to conceive of.06742<a class="citation_author_name" title="Browse by Author Name for Claramonte Arrufat, Jordi" href="/fez/list/author/Claramonte Arrufat, Jordi/">Claramonte Arrufat, Jordi</a> . (<span class="citation_date">2012</span>) <a class="citation_title" title="Click para ver : Estéticas y políticas del nazismo = Aesthetics and nazi politics" href="/fez/view/bibliuned:ETFSerieVII-2012-25-1075">Estéticas y políticas del nazismo = Aesthetics and nazi politics</a>. RecordArtículo de revistaPublishedhttp://udcdata.info/064676http://udcdata.info/068273http://udcdata.info/064754Historia del ArteUniversidad Nacional de Educación a Distancia (España). Facultad de Geografía e HistoriaClaramonte Arrufat, Jordibibliuned:ETFSerieVII-2012-25-1075http://e-spacio.uned.es/fez/view/bibliuned:ETFSerieVII-2012-25-1075spaDocumento.pdfbibliuned:ETFSerieVII-2012bibliuned:Setopenairebibliuned:SetarticuloEspacio, tiempo y forma. Serie VII, Historia del arte. Año 2012, n. 25Set de openaireSet de artículohttp://creativecommons.org/licenses/by-nc-nd/4.0Licencia Creative CommonsClaramonte ArrufatAcceso abierto1.981730933323332332